People living in the country enjoy several advantages that people living in the city cannot enjoy. They are in close contact with nature. They make friends with trees and stones. They can own dogs. They breathe fresh air. They fight with strong winds. They listen to the songs of birds.

    This contact with nature is good for health. There are many diseases that are common in the city. but are not to be found in the country. For example, near-sightedness is almost unknown to country people.

    Because of the absence of cars, one can walk more freely in the country than in the city. There are no rules of the road, nor traffic signs to obey.

    People living in the country can easily get fresh vegetables, fresh fruit and fresh milk. And they get them at lower prices than in the city.

    Country life is economical in other ways, too. There are practically no temptations（诱惑）to waste money.

    Country people are mostly honest. They say what they mean, and make and keep promises with sincerity（诚意）. They do not put on air. They do not pretend to have those ridiculous（荒谬的）manners which are necessary in what we call polite society.

    Blue Planet II's latest episode focuses on how plastic is having a disastrous effect on the ocean and slowly poisoning our sea creatures. Researchers recently also found that sea creatures living in the deepest place on Earth, the Mariana Trench, have plastic in their stomachs. Indeed, the oceans are drowning in plastic.

    Though it seems now that the world couldn't possibly function without plastics, consumer plastics are a remarkably recent invention. The first plastic bags were introduced in the 1950s; the same decade that plastic packaging began gaining in popularity in the United States. This growth has happened so fast that science is still catching up with the change. Plastics pollution research, for instance, is still a very early science.

    We put all these plastics into the environment and we still don't really know what the outcomes are going to be. What we do know, though, is disturbing. Ocean plastic is estimated to kill millions of marine animals every year. Nearly 700 species, including endangered ones, are known to have been affected by it. One in three leatherback turtles, which often mistake plastic bags for jellyfish, have been found with plastic in their bellies. Ninety percent of seabirds are now eating plastics on a regular basis. By 2050, that figure is expected to rise to 100 percent.

    And it's not just wildlife that is threatened by the plastics in our seas. Humans are consuming plastics through the seafood we eat. I could understand why some people see ocean plastic as a disaster, worth mentioning to the same degree as climate change. But ocean plastic is not as complicated as climate change. There are no ocean trash deniers (否认者), at least so far. To do something about it, we don't have to remake our planet energy system.

This is not a problem where we don't know what the solution is. We know how to pick up garbage. Anyone can do it. We know how to dispose (处理) of it. We know how to recycle. We can all start by thinking twice before we use single-use plastic products. Things that may seem ordinary, like using a reusable bottle or a reusable bag—when taken collectively, these choices really do make a difference.

    In a career that lasted more than half a century, Tom Wolfe wrote fiction and nonfiction best-sellers including The Electric Kool-Aid Acid Test and The Bonfire of the Vanities. Along the way, he created a new type of journalism and coined phrases that became part of the American vocabulary.

    Wolfe began working as a newspaper reporter, first for The Washington Post, then the New York Herald Tribune. He developed a literary style in nonfiction that became known as the "New Journalism." "I've always agreed on a theoretical level that the techniques for fiction and nonfiction are interchangeable," he said. "The things that work in nonfiction would work in fiction, and vice versa."

    "When Tom Wolfe's voice broke into the world of nonfiction, it was a time when a lot of writers, and a lot of artists in general, were turning inwards," says Lev Grossman, book critic for Time magazine. "Wolfe didn't do that. Wolfe turned outwards. He was a guy who was interested in other people." Wolfe was interested in how they thought, how they did things and how the things they did affected the world around them.

    In 1979, Wolfe published The Right Stuff, an account of the military test pilots who became America's first astronauts. Four years later, the book was adapted as a feature film. "The Right Stuff was the book for me," says Grossman. "It reminded me, in case I'd forgotten, that the world is an incredible place."

    In The Right Stuff, Wolfe popularized the phrase "pushing the envelope." In a New York magazine article, Wolfe described the 1970s as "The 'Me' Decade." Grossman says these phrases became part of the American idiom because they were accurate.

    "He was an enormously forceful observer, and he was not afraid of making strong claims about what was happening in reality," Grossman says. "He did it well and people heard him. And they repeated what he said because he was right." All those words started a revolution in nonfiction that is still going on.

    If there is one person who has left a deep impression on me, it's my teacher Mrs. Pathak who was my class teacher for three years. In my childhood, how I wished I had a mother or a sister like her. One moment she could be tough (严厉的) and strict, another moment caring and compassionate (富有同情心的).

    She always encouraged us to tell the truth. For instance, if one had not done the homework, he need not lie. She allowed us to make mistakes, saying we couldn't be perfect all the time, but we should try.

    Another thing she taught me early on was punctuality. She set a good example with her own behaviour. She was always on time, so we students tried our best to be on time.

    She surprised us with her sense of humour. Her classroom teaching was always humorous. After class, she talked to us and told us jokes.

    We really felt free to ask questions and Mrs. Pathak would give the answers. If she did not know — there had been some occasions (场合) — she would say so. We all then tried to find out the answers. Whoever came up with the answer was appreciated and given the due credit (应有的称赞). Now I sometimes wonder whether Mrs. Pathak was pretending just to encourage us to explore and find answers by ourselves.

    Convincing someone to change their mind is really the process of convincing them to change their tribe (部落). If they abandon their beliefs, they run the risk of losing social ties. You can't expect someone to change their mind if you take away their community too.

    The way to change people's minds is to become friends with them, to combine them into your tribe, to bring them into your circle. Now, they can change their beliefs without the risk of being abandoned socially.

    The British philosopher Alain de Botton suggests that we simply share meals with those who disagree with us: "Sitting down at a table with a group of strangers has the incomparable and odd benefit of making it a little more difficult to hate them without punishment. Prejudice and conflict between groups of people from different nations or races feed off abstraction. However, during a meal, something about handing dishes around, unfolding napkins (餐巾纸) at the same moment, even asking a stranger to pass the salt makes us less likely to hold the belief that the outsiders who wear unusual clothes and speak in distinctive accents deserve to be sent home or attacked. For all the large-scale political solutions which have been proposed to ease racial or cultural conflict, there are few more effective ways to promote tolerance between suspicious neighbours than to force them to eat supper together."

    Perhaps it is not difference, but distance that produces tribalism and unfriendliness. As proximity increases, so does understanding. I am reminded of Abraham Lincoln's quote, "I don't like that man. I must get to know him better." Facts don't change our minds. Friendship does.

    The Japanese writer Haruki Murakami once wrote, "Always remember that to argue, and win, is to break down the reality of the person you are arguing against. It is painful to lose your reality, so be kind, even if you are right."

    When we are in the moment, we can easily forget that the goal is to connect with the other side, cooperate with them, befriend them, and integrate them into our tribe. We are so caught up in winning that we forget about connecting. It's easy to spend your energy labeling people rather than working with them.

    The word "kind (family and relatives)" originated from the word "kin (old fashion of family and relatives)." When you are kind to someone, it means you are treating them like family. This, I think, is a good method for actually changing someone's mind. Develop a friendship. Share a meal. Gift a book. Be kind first, be right later.

With the worldwide celebration of the Chinese New Year, traditional Chinese cultural forms such as the Yingge Dance（Dance of Heroes）and dragon and lion dances have once again attracted widespread attention.

As the Chinese New Year is increasingly celebrated {#blank#}1{#/blank#}（global）, it has brought its traditional celebrations elsewhere and seen people of other countries join the festivities. This Spring Festival, a team of Yingge dancers from South China's Guangdon g Province {#blank#}2{#/blank#}（invite）to the UK, bringing an exciting performance to London's Burlington Arcade {#blank#}3{#/blank#}（celebrate）the Chinese New Year.

Literally {#blank#}4{#/blank#}（translate）as the "Songs of Heroes" dance, Yingge Dance is an old folk dance {#blank#}5{#/blank#} originated from the Chaoshan area of South China's Guangdong Province. Dressed in colorful costumes, performers wave wooden sticks in their hands while {#blank#}6{#/blank#}（dance）in orderly formations to the music.

Based on the stories of the 108 {#blank#}7{#/blank#}（member）of Liangshan Mountain from the classic novel Outlaws of the Marsh（《水浒传》）, this is {#blank#}8{#/blank#} folk art combining a variety of forms, from martial arts and Chinese operas to dance.

From a centuries-old art form to a magnum opus（杰作）of Chinese tradition worldwide, the {#blank#}9{#/blank#}（popular）of Yingge Dance on the streets of London during the Spring Festival was a success {#blank#}10{#/blank#} terms of traditional Chinese folk art sailing overseas.