试题

试题 试卷

logo

题型:语法填空(单句) 题类:常考题 难易度:普通

人教版(新课程标准)高中英语必修4 Unit 3 A taste of English humour 同步练习1

They were astonished the news of his escape from prison.
举一反三
阅读下面材料,在空白处填入1个适当的单词或括号内单词的正确形式。

    Today we talk about a word that is a feeling as well as a place. This word is “home.” Long ago in the 1700s, “home” was used as a verb,{#blank#}1{#/blank#} (mean) “to be guided to a destination.” So, when you home in on something, you get {#blank#}2{#/blank#}(close) to your target. For example, you could say, “Police are homing in on the suspects.” That is also where we get homing pigeons-pigeons that can find {#blank#}3{#/blank#} (they) way home after being released.

    But today, “home” is more often used as a noun. And it has a very emotional {#blank#}4{#/blank#}(connect) for American English speakers. You can remember the meaning of the word by the expression “home is {#blank#}5{#/blank#} the heart is.” That expression means home is anywhere you feel love and comfort. It is a place where you belong, and often a place you consider your origin. In other {#blank#}6{#/blank#} (word), “home” is not {#blank#}7{#/blank#}(simple) a building where you live—that's a house. There is a big difference {#blank#}8{#/blank#}a home and a house.

    The writer, Thomas Wolfe, had {#blank#}9{#/blank#} different idea about home. In 1940, his book “You Can't Go Home Again”{#blank#}10{#/blank#} (publish). Today we use this title to mean that the ideas and feelings that you had as a child often change when you are an adult. So, even if you return to the place where you grew up, time and distance have changed your perspective (观点).

Directions: After reading the passage below, fill in the blanks to make the passage coherent and grammatically correct. For the blanks with a given word, fill in each blank with the proper form of the given word; for the other blanks, use one word that best fits each blank.

    The way we tell stories has naturally changed since Aristotle defined the rules of tragedy about 2,500 years ago. According to him, the role of storytelling is to imitate life and make us feel emotions. And that's exactly what storytelling as we know it has done very well since then. But there is an aspect of life {#blank#}1{#/blank#} storytelling could never really reproduce. It is the notion of choices.

    Choices are a very important part of our lives. We as individuals {#blank#}2{#/blank#} (define) by the choices we make. As an interactive writer, {#blank#}3{#/blank#} (fascinate) with the idea of recreating this notion of choices in fiction, I have tried to put the audience in the shoes of the main characters. {#blank#}4{#/blank#} (explore) a way to achieve this is what I did in the past 20 years of my life.

    So do you have an idea of {#blank#}5{#/blank#} my work is about as an interactive writer? Where a writer needs to deal with time and space, as an interactive writer, I need to deal with time, space and possibilities. I need to think about all the possibilities {#blank#}6{#/blank#} the characters could encounter different people and different things in a given scene and try to imagine everything that {#blank#}7{#/blank#} happen.

    The interactive writer's experience is very unique, {#blank#}8{#/blank#} it is the result of the cooperation between a writer creating this narrative landscape and the player making his own decisions, telling his own story and becoming the cowriter but also the coactor and the codirector of the story. Interactive storytelling is a revolution in the way we tell stories.

返回首页

试题篮