Mail lay scattered across the kitchen table. I couldn't put off sorting through it any longer. I checked the envelopes, putting aside the ones addressed to my husband.

    It had been over three years since Bob had died. To friends and family it looked like I had moved past the worst of my sorrow. I took care of my house, socialized and kept up with community. On the outside everything appeared to be normal. But inside I was anything but I worried I would never get better, never be myself again. They say sorrow has no set time limit, but I was so tired of feeling empty and hopeless. My sorrow was sharp and fresh as ever. It was like a wall of pressure in my chest, pressing my heart.

    I picked up a piece of Bob's mail and held it out to tear in half, but stopped myself from cutting up the envelope. The letter was from an organization that funded a Haitian orphanage called My Father's House. Its founder, Carol Hawthorne, had given a presentation at our church. Bob and I had donated, and Bob ended up on the mailing list to receive the newsletter (通讯) with updates on the children.

    I hadn't read one since Bob died. But just three months before, in January 2012, the country had been hit by a terrible earthquake. In my depressed state, it hadn't even occurred to me to wonder whether the orphanage had survived. I opened the newsletter and was surprised to find out that My Father's House was still standing. Of course now it was more crowded than ever. At the bottom of the page was an announcement about an upcoming trip to visit the orphanage in person. “I should go.” The thought wouldn't leave me. I contacted Carol Hawthorne.“What would I do if I go?” I asked.“Build houses?”

    “The Haitian people there are eager to work and they know what they're doing,” said Carol. “What they need are raw materials, and we provide them. We also visit with the children. We go to clinics and schools, pass out supplies. You'll be very busy, I promise!” I reserved a seat but didn't mention it to any of my friends. Just a few weeks later, I was at the airport with seven strangers, waiting to board a plane to Haiti. Even after takeoff I wasn't really sure of what I was doing.

    In Haiti we were met by Pastor Ronald Lefranc, the director of My Father's House. We piled into an old school bus and drove over uneven roads full of stones and mud. We passed women shaking under the weight of huge water buckets balanced on their heads. Piles of rubbish scattered across the landscape, and the land was covered with broken tents. Finally we pulled up to the orphanage. A crowd of children—52 in all—rushed up to greet us. I couldn't understand the words of the song they sang in Creole, but with the smiles on their faces I didn't need to. Each child planted a big kiss on my cheek.

    Carol and Pastor Ronald led us into the main building. “What are those over there?” I asked, pointing to a collection of thin tents. “Is there not enough room in the building for all the children?”

    “We have the room,” said Pastor Ronald. “But many of these children came here after the earthquake. They still don't feel safe sleeping under a roof.”

    There was no sign of fear in the playroom inside. I played dolls and other games. Children I'd just met presented me with pictures they'd drawn and letters written in Creole. In the evening the children gathered in the dining room. They took turns reading aloud and then they all joined in song. The words were strange, but the tune sounded familiar.

    They'd lost so much, yet were so joyful. In the evening the children gathered in the dining room. One of the older children stood up to speak and then they all joined in song. The words were strange, but the tune sounded familiar. The children settled down. In the silence, a quiet noise began.

    Salvador Dali(1904-1989)was one of the most popular of modern artists. The Pompidou centre in Paris is showing its respect and admiration for the artist and his powerful personality with an exhibition bringing together over 200 paintings, sculptures, drawing and more. Among the works and masterworks on exhibition the visitor will find the best pieces, most importantly the Persistence of Memory. There is also L' Enigme sans Fin from 1938, works on paper, objects, and projects for stage and screen and selected parts from television programmes reflecting the artist's showman qualities.

The visitor will enter the World of Dali through an egg and is met with the beginning, the world of birth. The exhibition follows a path of time and subject with the visitor exiting through the brain.

    The exhibition shows how Dali draws the viewer between two infinities (无限). “From the infinity small to the infinity large, contraction and expansion coming in and out of focus: amazing Flemish accuracy and the showy Baroque of old painting that he used in his museum-theatre in Figueras,” explains the Pompidou Centre.

    The fine selection of the major works was done in close collaboration (合作)with the Museo Nacional Reina Sofia in Madrid, Spain, and with contributions from other institutions like the Salvador Dali Museum in St. Petersburg.

    Welcome to Inspire 21!

    Our aim is to provide ”Inspiring words for the 21st century”. So, here we offer a unique collection of inspiring short stories, motivational short stories, and humorous short stories for you to read and share.

    If you do care to share, click the “SHARE”button in the bottom left corner of each page. And thanks for telling others about Inspire 21.

    The inspiring stories that are labeled(标记)“TRUE”are done so to the best of our knowledge, but we do not have full proof in some cases. However, all of these stories and messages are provided because of their uplifting content, whether true or not. Many books we've read and movies we've watched were totally untrue, but we enjoyed the inspiration they gave us—especially if they had a happy ending.

    So, please read and share these stories at your own discretion(判断力). Thank you for your understanding!

    Also, many of the inspiring stories used here are used with permission from the author. However, we cannot grant(授予) permission to reuse any of these inspirational stories, as the majority of them are not ours.

    Lastly, many inspiring stories(emailed to us or we came across online )are listed as “Author Unknown” If you happen to know the author's name, to whom credit should be given, please contact us with that information so we can keep our inspiring story collection accurate. Thank you again!

    The insects are important to farmers. When a honeybee lands on a flower in plant, pollen (花粉) sticks to its legs. When the bee lands on another flower, some of the pollen falls off and fertilizes the second plant.

    The act of spreading pollen is responsible for many fruits, vegetables, nuts and other crops. Yet about 30 percent of honeybees in the United States and other areas have died in recent years.

    Mike Leggett is a researcher at the University of Maryland. He wants to learn why so many bees are dying. “The number of colonies (蜂群) that die every winter has been one in three. So on average 30 percent of the colonies have died every winter over the last six winters. And that's a huge number.” His research team examined the pollen that honeybees carried to their homes. They found that the pollen contained high levels of 35 different pesticides (杀虫剂), which are chemicals used to protect plants. “Pesticides are used, and have been used, pretty widely, for centuries, to protect plants from diseases,” says Mr Leggett.

    Keith Oh linger, a farmer and beekeeper in Maryland, has watched many of his bees die every winter. Mr Ohlinger thinks widespread bee death is caused by several things happening at once. But he does not feel sure that pesticides are a part of the problem, “I felt it was the result of a lot of little things. I didn't feel that there was probably one smoking gun. But there's a division (分歧) there, some people feel that it is just one thing.”

    Honeybees are important to agriculture. This makes the search for an answer to their death very important for Mr Leggett's team. As he knows, one in every three bites of food we eat is somehow pollinated by honeybees.

    Dining in a completely dark room, unaware what's on your plate while sitting next to a complete stranger may not sound like an ideal restaurant experience but it's certainly an intriguing way to spend a rainy night in London.

    Dans le Noir, close to London's financial district, is a restaurant full of blind waiters and waitresses who become your eyes around the restaurant, whose original Paris branch opened in 2004.

    In the bar with the light, you choose whether you want the fish, meat or vegetable, but the dishes themselves remain a secret, as do the ingredients of the “surprise” cocktails. Bags, coats and devices(设备) that light up, including watches and mobile phones, are kept in the bar. Placing your hand on the shoulder of your guide, you are led to a table in a black dining room that sets up to 60 people. And it is dark.

    The waiters tell you when the food is being placed down in front of you, then the fun begins, trying to get food into your mouth, then identifying just what it is that's on your plate, and finally whether you have missed any of it.

    It's also a great chance to break social convention and eat using your fingers. Those same fingers are also the only way you can tell how much wine you're pouring into your glass.

    The happy atmosphere in the dining room also made the night memorable. You can't really avoid talking to the person next to you at the long tables and guessing what the dishes are certainly provides adequate fuel for the conversations.

    All will be revealed at the end of the meal when you are led back out into the lit bar. Not only do you finally get to see what you've just been eating but also who you've been talking to for the last 90 minutes.

    Want a wonderful travel in London? Don't miss the following!

    Cartoon Museum

    This highly entertaining London tourist attraction covers the history and development of British cartoons from the 18th century to the present day. You can find a detailed collection of all types of cartoons in this museum including caricatures (讽刺漫画) and rare examples of cartoon art: it's an ideal place to entertain kids of all ages as well as a serious collection for animation enthusiasts.

    There are over nine hundred pieces on exhibit and the museum regularly holds events where both children and adults can participate. Booking for these events is recommended due to the popularity year round of this London Museum.

    Telephone: 020 7580 8155

    Chislehurst Caves

    Chislehurst in London is home to chalk caves that were mined by hand for over 8,000 years. A tour of these caves is an exciting way to see how British people have impacted on their environment over thousands of years.

    Telephone: 020 8467 3264

    The Old Operating Theatre Museum

    The Old Operating Theatre Museum is one London museum offering a fascinating insight into the medical profession of the past. This 300-year old herb garret (阁楼) is Britain's only surviving operating theatre, with a wooden operating table and an observation stand, from which visitors can witness surgery performed.

    Telephone: 020 7188 2679

    Curzon Mayfair Cinema Museum

    Recently voted one of London's best cinemas by Time Out readers, the Curzon Mayfair cinema is everything you would expect from this particular part of town: luxurious (奢华的) and tasteful. Showing mostly art-house and independent films, the Curzon Mayfair is unique in the world of London cinema for its role in screening these films for industry and press.

    Telephone: 033 3321 0104