Phrases like “tiger mom" and "helicopter parent” have made their way into everyday language. Many of us find ourselves drawn to the idea that with just a bit more parental hard work and effort, we might turn out children with bright futures. But is there anything wrong with a kind of“over parenting style”?

    Parental involvement has a long history of being studied. Many of the studies, conducted by Diana Baumrind, a famous psychologist at the University of California, Berkeley, have found that a good parent is the one who is involved and reacts to her child in a positive way, who sets high expectations but gives her child independence. These “authoritative parents”appear to hit the sweet spot of parental involvement and generally raise children who do better academically, psychologically and socially than children whose parents are not strict and less involved, or controlling and more involved. Why is this parenting style so successful?

    Authoritative parents actually help improve motivation in their children. Carol Dweck, a social psychologist at Stanford University, has done research that indicates why authoritative parents raise more motivated children. In a typical experiment, Dr. Dweck takes young children into a room and asks them to solve a simple puzzle. Most do so with little difficulty. Butthen Dr. Dweck tells some, but not all, of the kids how clever they are. As it turns out, the children who are not told they're smart are more motivated to solve increasingly difficult puzzles. They also show higher levels of confidence and show greater progress in puzzle-solving.

    As the experiment suggests, praising children's talents and abilities seems to shake their confidence. Dealing with more difficult puzzles carries the risk of losing one's status as “smart”. Dr. Dweck's work strongly supports that of Dr. Baumrind, who also found that reasonably supporting a child's independence and limiting interference (干涉) causes better academic and emotional results.

    The central task of growing up is to develop a sense of self that is independent and confident. If you treat your young child who is just learning to walk as if she can't walk, you reduce her confidence. Allowing children to make mistakes is one of the greatest challenges of parenting. It is easier when they are young. The potential mistakes carry greater risks, and part of being a parent is reducing risk for our children.

    Under new rules posted by the Civil Aviation (航空) administration of China on Friday, pilots will have to pass a “level four” test of Mandarin Chinese, China's official language. Those who speak with an accent that “often impedes” comprehension will not pass. These rules take effect in January 2016.

    China's 56 ethnic groups speak more than 80 languages and dialects. Even native Mandarin speakers can have trouble communicating with each other depending on the strength of their accents, which can be mutually unintelligible (难理解的).

    One flight trainer illustrated the scope for linguistic confusion, especially when common English aviation terms are used. Asked if there is a problem on board, a Chinese pilot might answer in the negative with the words mei you, or “there isn't.” But someone speaking with a heavy Sichuan accent would pronounce mei you as “May day” — unconsciously parroting the universally recognized distress call (遇难信号).

    Like their international counterparts (对应物), Chinese aviators have developed codes to avoid confusion resulting from homonyms (同音异义字) or near-homonyms. They use the terms yao for one and guai for seven, which are otherwise pronounced yi and qi respectively and easily confused.

    The new rule could affect all pilots, who must renew their license every six years, and adds to a growing list of burdens for the profession.

    We offer five kinds of courses. Each course has been designed to help students according to their needs.

Course 1: General English

    General English is designed to develop students' basic communication skills in: Speaking and Pronunciation, Reading, Listening, Writing, Grammar and Vocabulary. Tuesday to Friday: 9:00 am to 11:00 am, $288 per week.

Course 2: Academic English

    Academic English is for students who want to take the IELTS exam or for those who need to use English in a professional area. Monday to Friday: 4:00 pm to 5:00 pm, $ 320 per week.

Course 3: High School ESL

    Why not make the most of your time studying in Australia with the help from TIES? We have High School ESL classes each week specifically designed for international students. Tuesday to Friday: 8:00 am to 11:00 am, $ 25 per hour.

Course 4: Night Classes

    Do you want to improve your English and get the best possible results in your GRE test? We have two night classes each week designed to meet your needs. Tuesday and Thursday evenings: 8:30 pm to 10:30 pm, $ 60 per day.

Course 5: One on One

    If you are interested in some One on One lessons with TIES teachers, we can design a course to meet your needs. One on One lessons can improve your English language skills more quickly and help students who want to take TOEFL. Tuesday to Friday: 2:00 pm to 5:00 pm, $ 80 per hour.

    The editor of the new Cool Camping Britain guide chooses some of his favorite new finds in England, Wales and Scotland.

    Cleadale, Isle of Eigg, Inner Hebrides

    Is this Britain's most beautiful campsite? From the grassy point looking seaward to the mountains, it's not hard for campers to see how the island inspired The Lord of the Rings author's fantasy landscapes. The campsite itself is as wild and wonderful as its setting.

    Open April - September, from ￡5 per tent per night.

    Swattesfield, Thornham Magna, Suffolk

    Deep in the wilds of north Suffolk, this seven-acre campsite has only been open for a few years, with two fields separated by a lake and surrounded by woodland. The position is perfect. It's a great place to do nothing but get into nature. You can put up your tent in the bottom field or the woodland beyond.

    Open Easter - October, from ￡10 per tent per night.

    Pleasant Streams Farm, near St Austell, Cornwall

    This site, by a lake, is all about simple pleasures. Located in the former mining village, it has a summerhouse(凉亭) with books and games for a rainy day. There are many animals including pigs, hens, goats and ducks on the farm and a pub just a 10- minute stroll away. There's very little to do here, no bells and no whistles. Campfires are encouraged.

    Open Easter - September, from ￡10 per tent per night.

    Troy town Campsite, St Agnes, Isles of Sciily

    Its only campsite, Troy town, couldn't be in a more remote position. Isolation is its greatest advantage — so bring plenty of books to read and don't expect a phone signal. But at least one of life's necessities is available. Lying on the hillside overlooking the bay and near the island of the Gugh, it might just win the prize for best beer garden view in England.

    Open March - October, from ￡7. 50 per tent per night,

    Scientists can figure out a movie's emotional tone from the gasps(喘气) of its audience. These gases could point the way to a subtle(微妙的，精细的) form of human communication, a new study suggests.

    "When you see a movie, you can hear the music and see the pictures. However, you don't realize here are chemical signals in the air. And they, too, could be affecting you, says Williams, who led the study. As an atmospheric chemist, he studies the chemical makeup of the air around us.

    Williams started out measuring the air in a soccer stadium. He noticed that levels of carbon dioxide and other gases changed wildly whenever the crowd cheered. That got him wondering -- Could the gases people breathe out be influenced by emotions?

    To find out, he went to the movies.

    Williams and his coworkers measured air samples collected over six weeks in two movie theaters. Overall, 9,500 movie goers watched 16 films. They included a mix of comedy, romance, action and horror films. Among them were The Hunger Games, Catching Fire, Carrie, and Walking with Dinosaurs. The researchers gave scenes from the movies such labels as "suspense(悬疑)", "laughter" and "crying". Then they looked for hundreds of chemicals in the air that showed up as people were watching particular movie scenes.

    And certain scenes had distinct chemical "fingerprints". Scenes that had people laughing or on the edge of their seats were especially distinctive. During screenings of The Hunger Games, levels of carbon dioxide and isoprene got to the highest at two suspenseful moments. Because isoprene is related to muscle movement, the researchers think tense movie moments likely led to its spikes(尖峰). Williams and his colleagues think the increase in carbon dioxide was due to the viewers' increased pulse and breathing rates.

    Scientists need more data to make stronger links between human emotions and what's in their breath. But Williams can see potential practical uses. Companies, for instance, could quickly measure the air during tests to see how people feel about new products. He pictures future studies recording other body variables(变数) as well. These might include heart rate and body temperature, for instance. "It's something to find out."

Photographic self-portraits have existed for as long as cameras have been in human hands. But what about selfies in space? On Twitter last year, NASA astronaut Edwin Aldrin, who famously became the second man to walk on the moon in July 1969, laid claim to a spaceflight first: taking the first selfie in space during the Gemini XII mission in 1966.

"For me, it needs to be digital to be selfie," argues Jennifer Levasseur, a director at the Smithsonian National Air and Space Museum. According to Levasseur, the concept of a selfie is directly linked to internet culture. "The thing that makes a selfie is sharing it," she says.

Still, astronauts have been carrying cameras aboard space vehicles since the 1960s. In 1966, Aldrin used a Hasselblad camera designed specifically for space. Hasselblad also painted the first camera in space a matte(磨砂) black to reduce reflections in the orbiter window. But cameras used in space need to survive extreme conditions, like temperature swings from -149° to 248°F, so Hasselblad painted later model silver.

Astronauts visiting the moon then had to take out the film and leave their camera bodies behind when they returned to Earth, because early space missions were limited by a weight limit on the returned trip. Then a big change in space camera technology came after the space shuttle Columbia broke apart on its return to Earth in 2003, Levasseur notes. "Fear that they'd never be able to bring film back from space and lose all that hard work accelerated the push for digital," she says.

Today, astronauts also have access to internet and social platforms in space and can post true space selfies made using digital cameras. Similarly, space robots are participating in selfie culture, capturing remote pictures of themselves in space or on other planets and sending them back to Earth.