Jolly Joe always arrived at my neighborhood at exactly half past noon. The clang (叮当声) of the bell on his red and black truck was then the sweetest sound in the world. Brightly colored stickers advertising his amazing kinds of treats could be found on all sides of his truck. The whole neighborhood would magically come to life.

    Holding a nickel (五分镍币), I'd run to the back of the vehicle, where children were already gathering. Jolly Joe would jump out of his truck, the sun shining on his hair. He was an older man, short and round, with a pleasant face and a welcoming smile.

    I don't know how, but he knew us all by name, as well as which treats we preferred. My favorite was the Buried Treasure. By eating all the ice cream, you'd discover the treasure inside: a lion, a dog or even a funny clown — printed onto a plastic stick.

    When it was finally my turn, he'd put his arm deep inside one of the boxes, and pause (停顿) for a moment, a puzzled look crossing his face. Then, suddenly, he'd pull it out: the Buried Treasure! I couldn't wait to enjoy the cool, sweet ice cream.

    As quickly as he arrived, it was time for Jolly Joe to go, leaving behind laughing, excited children with sticky hands and faces. Soon the sound of his clanging bell would slowly disappear in the distance.

    I always hated to see Jolly Joe go, because I knew the rest of the day would be as hot and boring as before. But I took some comfort in knowing that the next day he'd come round the corner at half past noon and once again spread his magic.

    In 1996 John Jones made an unusual discovery. He had just enlarged (扩大) a piece of paper money for a friend—a Confederate bank note, money issued (发行) by banks in Southern States of America during the Civil War. When he was face to face with the picture, he couldn't believe his eyes: slaves (奴隶) happily picking cotton in their master's fields.

    Jones grew up in South Carolina. He had heard painful stories of slavery from his greatgrandmother. The picture on the money did not match (匹配) the history of African American slaves that he'd heard all his life. “I had never seen that type of picture on money before,” he said.

    Jones wondered why slaves looked so happy. He started doing research.

    Searching for and finding the answers to his questions changed his life. During two years' search, Jones found more than 120 different bills. He discovered that the bills had several things in common. They showed slaves working in jobs related to farming. Many of them showed healthy and smiling slaves at work. None of the bills showed the hardships of slavery.

    Jones wanted to share what he had learned. “I wanted other people to see what I had seen,” he said. He decided to make large paintings of the pictures on the money. After three years of work, Jones had painted more than 80 slavery scenes (场景).He paired each painting with the money on which the picture appeared. “The Color of Money”—an exhibit (展览) of his work—has toured the country.

    Jones' paintings tell an important story about the South 150 years ago. He likes to repeat the saying. “The story is on the money.” In this case, the saying happens to be true.

    Hobbs was an orphan (孤儿). He worked in a factory and every day he got a little money. Hard work made him thin and weak. He wanted to borrow a lot of money to learn to paint pictures, but he did not think he could pay off the debts.

One day a lawyer said to him, “One thousand dollars, and here is the money.” As Hobbs took the package of notes, he was very dumbfounded. He didn't know where the money came from and how to spend it. He said to himself, “I could go to find a hotel and live like a rich man for a few days; or I give up my work in the factory and do what I'd like to do—painting pictures. I could do that for a few weeks, but what would I do after that? I should have lost my place in the factory and have no money to live on. If it were a little less money, I would buy a new coat, or a radio, or give a dinner to my friends. If it were more, I could give up the work and pay for painting pictures. But it's too much for one and too little for the other.”

    “Here is the reading of your uncle's will (遗嘱)，” said the lawyer, “telling what is to be done with this money after his death. I must ask you to remember one point. Your uncle has said you must bring me a paper showing exactly what you did with his money, as soon as you have spent it.” “Yes, I see. I'll do that，” said the young man.

    HOLIDAY FUN AT THE POWERHOUSE

    500 HARRIS STREET ULTIMO·TELEPHONE (02) 9217 0111

    JoinintheholidayfunatthePowerhousethismonthlinkedtoournewexhibition ， Evolution & Revolution：Chinesedress 1700stonow.DON'TFORGETourotherspecialevent ， theClubMedCircusSchoolwhichispartoftheCircus(马戏团)！150 yearsofcircusinAustraliaexhibitionexperience!

    ◆Chinese Folk Dancing：Colorful Chinese dance and musical performances by The Chinese Folk Dancing School of Sydney.Dances include：the Golden stick dance and the Chinese drum dance.A feature will be the Qin dynasty Emperor's court dance.Also included is a show of face painting for Beijing opera performances.

    Sunday 29 June and Wednesday 2 July in the Turbine Hall，at 11：30 am & 1：30 pm.

    ◆Australian Chinese Children's Arts Theatre：Wellknown children's play experts from Shanghai lead this dynamic youth group.Performances include Chinese fairy tales and plays.

Thursday 3 to Sunday 6 July in the Turbine Hall，at 11：30 am & 1：30 pm.

    ◆Chinese Youth League：A traditional performing arts group featuring performance highlights such as the Red scarf and Spring flower dances，and a musician playing Er Hu.

Sunday 6 to Tuesday 8 July in the Turbine Hall，11：30 am to 1：30 pm.

    ◆Kids Activity：Make a Paper Horse：Young children make a paper horse cut­out.(The horse is a frequent theme in Chinese painting，indicating a kind of advancement.)Suitable for ages 8～12 years.

    Saturday 28 June to Tuesday 8 July in the Turbine Hall,12：00 pm to 1：00 pm.

    ◆Club Med Circus School：Learn circus skills，including the trapeze，trampolining and magic.Not only for children over 5.There are 40 places available in each 1 hour session and these must be booked at  the front desk，level 4，on the day.

    Tuesday 1 to Saturday 5 July at 11：30 am & 1：00 pm.

    Enjoy unlimited free visits and many other benefits by becoming a Family member of the Powerhouse.Our family memberships cover two adults and all children under the age of 16 years at the one address.

    Members receive Powerline ， our monthly magazine，discounts in the shops and the restaurants，as well as free admission to the Museum.All this for as little as 50.00 a year！Call (02) 9217 0600 for more details.

    Earthquakes strike suddenly at any time of the day or night, but there's no way to tell when. If an earthquake happens, it may cause many deaths, injuries and damage. So you need a good preparation ahead of time. Decide how and where your family will get together if separated. Choose an out-of-state friend or relative that the family members can call after the quake to report where they are and how they are. Know the safe places in each room: under the strong tables, desks, or against inside walls. Keep enough food, water and other things, including a flashlight, a radio, medicines and clothing.

    During the earthquake, you should keep a clear head and never be too nervous to know what to do. Protect your head and neck with your arms. If possible, take a book, a pillow or any other things to protect yourself from falling glass and ruins. If you are indoors, you must immediately lie under any strong furniture. If outdoors, move to an open area away from trees, buildings, walls or power poles. If you are in a narrow valley, move to the centre of it and look up for falling stones. If you are in a car, move to the side of the road and stop the car. Do not stop near buildings, power lines or on or under bridges. Stay in your car until the shaking stops.

    Do not move a badly injured person unless he is in great danger after the earthquake. Do not use the telephone immediately unless there is a serious injury or fire. Turn on your radio for instructions and news reports. Be prepared for aftershocks. If you want to leave your home, post a message inside your home telling your family members where you can be found.

    Nhon Ly, a 55-year-old Vietnamese-born professional bodybuilder from California has been awarded the "real-life Master Roshi" for his unbelievable similarity to the popular Dragon Ball Z anime(日本动漫) character.

    Ly certainly doesn't look like any other typical 55-year-old man. In fact, he looks a lot better than most guys in their 20s, with his lean(瘦且健康的), strong muscles and youthful attitude. But he's absolutely not the only 50-something man who has the strong muscle in the world.  What really sets Nhon Ly apart from all the rest is his unbelievable similarity to Dragon Ball Z character Master Roshi, also known as the Turtle Hermit, in his "final form". And he apparently liked the comparison so much that he even set his Instagram handle as @master_ roshi_ real_ life.

    According to Madness Media, Ly immigrated to the United States in 1980, at the age of 16. He got a job as a pedicurist(修脚师) at a nail salon, and worked his way up to salon owner. Although he has achieved so much, bodybuilding has always been his biggest love. He has competed in several professional bodybuilding events, with his most notable results being the 4th place at the 2011 US Championship, the 7th place at the 2012 edition, and the 5th place at the 2015 Nationals.

    Even at 55, Nhon Ly continues to train hard in the gym in order to keep his Master Roshi look. He also likes to share photos and videos with his 40,000 fans, many of whom are Dragon Ball Z fans. They routinely post a large quantity of comments, thanking him for training Goku, who is the main character in Dragon Ball media, and asking him to train them in the art of bodybuilding.