The Internet has opened up a whole new online world for us to meet, chat and go where we've never been before.

    But just as in face to face communication, there are some rules of behavior that should be followed when on line. {#blank#}1{#/blank#} Imagine how you'd feel if you were in the other person's shoes.

    For anything you're about to send: ask yourself, “Would I say this to the person's face? If the answer is no, rewrite and reread. {#blank#}2{#/blank#}

    If someone in the chat room is rude to you, your instinct (本能 ) is to fire back in the same manner. But try not to do so. {#blank#}3{#/blank#} If it was caused by a disagreement with another member, try to fix the situation by politely discussing it. Remember to respect opinions of others in the chat room.

    {#blank#}4{#/blank#} Offer advice when asked by newcomers, as they may not be sure what to do or how to communicate. When someone makes a mistake, whether it's a stupid question or an unnecessarily long answer, be kind about it. If it is a small mistake, you may not need to say anything. Having good manners yourself doesn't give you license to correct everyone else. {#blank#}5{#/blank#} At the same time, if you find you are wrong, be sure to correct yourself and apologize to those you have offended.

    Have you ever seen a real night sky that looks like Van Gogh's Starry Night? I hope not! So, why would an artist paint the sky this way? Perhaps I can answer that with another question. When you're happy, why do you sing instead of speaking? Or when you're in love, why do you speak of roses and honey? When we do these things, we, too are artists. We're using something that goes beyond a mere scientific description in order to communicate our feelings more powerfully than straightforward words can. So consider for a moment that Van Gogh might not have been hallucinating on the night he painted this. Maybe he felt something so powerful that he had to go beyond the familiar to express it.

    I hope I'm reminding you of something you already know as I describe the experience of being outside at night under a crystal clear sky that makes everything seem clean and refreshing. So you look up. And suddenly you see the sky that you've seldom seen before. It's not just the same old dark night sky tonight. Instead, the blackness is a deep, rich blue that is more bottomless than any ocean. The stars are not spots of light but brilliant, magical diamonds that dance like tiny angels. In just this special moment, the sky is somehow alive, and it seems to speak to you silently about the meaning of infinity.

    Now look at the painting again. Can you see something of what makes this such a famous and well-loved image? But there's more here than that. Van Gogh painted this while he was quite struck down by a mental disease. It is natural to imagine that he frequently battled the fear that he would never escape his prison to true freedom. It is natural for us to imagine this because each of us has faced our own personal prison, whether it be disease, the loss of a loved one, serious financial problems … In such moments it is tempting to give up to despair and collapse in hopelessness.

    Looking at this painting, I imagine Van Gogh in just such a moment of despair, when he is struck by the memory of one of those amazing night skies. He recalls the sense that he is not alone, that there is a living, infinite world with rich colorful creatures and scenes all around.

    And so the sky flows across the canvas full of vitality and power. The stars don't just sparkle; they explode. Looking closer, we notice that the earth itself seems to respond to the movement in the sky, forming its own living waves in the mountain and rolling trees. In the sleepy village, the windows of the houses glow with the same light that brightens the universe. The giant trees at the left seem to capture the joy by stretching upwards toward the sky.

    What a tremendous message of hope there is in this masterpiece! Even if our troubles persist, the world around us assures us that life is worth living. That's what the angels sing about. Doesn't it make you want to sing, too?

    Tomato Festival

    Started in 2005, the Tomato Festival has grown into a local tradition in Malta. In recent years, the festival has added amusement park-style rides and a yearly Creature Feature, which screens old horrible movies. There are also dance competitions, parades and pancake breakfast. Third weekend in August.

Address: 833 Tinkham Rd, Fountain Park, Wilbraham, Massachusetts 01095 Phone：(413)599-0010

    Brat Days

Don't mistake this festival for a day filled with poorly behaved children. Begun in 1953, the gathering is the biggest festival in the city each year and features more than 50 stands (摊位) selling the sausage, as well as a contest to see who can quickly eat the most bratwurst (德国式小香肠) in ten minutes. Early August.

    Address: 17th and New Jersey sts, Kiwanis Park, Sheboygan, Wisconsin 53081

Phone: (920)457-9491

    Hope Watermelon Festival

    The festival dates back to the 1920s, when many trains went through this small town and local watermelon growers would sell their watermelon to parched travelers. These days, the festival sees a Watermelon Queen crowned(加冠的) and sometimes a world-record watermelon grown. There are also more than 300 stands selling arts and crafts from a six-state area, as well as a car show and the Watermelon Olympics. Early August.

Address: 108 W 3rd St, Hope, Arkansas 71801 Phone: (870) 777-3640

    Oyster Festival (牡蛎节)

Featuring appearances from tall ships and oyster boats, this festival has regularly drawn 60,000 visitors a year since it began in 1978.More than 3,000 volunteers make the festival possible each year. Norwalk is less than a two-hour drive from many of New England's larger cities, making it easy to attend the festival during a trip to New York or Hartford. Weekend after Labor Day.

Address: Sea view Ave, Veteran's Park, East Nor-walk, Connecticut 06855 Phone: (800) 866-7925

    For a long time being happy was considered something that just happened, and there was nothing special about it. Now we know that getting along with other people is something that we can work at. It is possible to act in such a way that other people will like us better. One way is being unselfish, not wanting everything from our friends. Another way is to look for good points, not bad ones in other people. It is surprising how successful this treasure hunt can be.

    You don't have to be spineless (软弱的) in order to be popular. In fact, you will be liked and respected if you are not afraid to stand up for your rights. But do it politely and pleasantly. Being friendly and polite to your group, to other people and to strangers and especially to those who do not look important or do not interest you is one way to develop a good character.

    You can not expect to be perfect, and so you must learn not to be unhappy when you make mistakes. Everyone makes mistakes, and no one is to be blamed (责备) unless he refuses to learn from them. Many young people become discouraged when they know in themselves qualities (品格) that they do not like—selfishness, laziness, and other unpleasant qualities. Just remember that we all have some of these faults and have to fight against them.

    At the same time, it is important to remember that, while you are probably no worse than others, the best way to be happy is to think yourself above other people. When something is wrong, it is good sense to try to make it right. Perhaps you don't like a teacher or a classmate. Try to see why, and look at yourself, too. To be sure that you are not doing anything to make that person dislike you. Some day, things may turn out all right, then you will have to learn to get along the best with situation, without thinking too much about it. Worrying never helps in a situation you can't change.

    Welcome to the Electronic Village to explore new ways of language teaching and learning.

Soccer is played by millions of people all over the world, but there have only been few players who were truly great. How did these players get that way—was it through training and practice, or are great players "born, not made"?

First, these players came from places that have had famous stars in the past—players that a young boy can look up to and try to imitate (模仿). In the history of soccer, only seven countries have ever won the World Cup. There has never been a great national team—or a really great player—from North America or from Asia.

Second, these players have all had years of practice in the game. Pele, who is often named as the greatest soccer of all time, was the son of a soccer player. He began to play soccer with his father when he was only three. Most players begin playing the game at the age of three or four.

Finally, many great players come from the same kind of neighbourhood—a poor, crowded area where a boy's dream is not to be a doctor, lawyer, or businessman, but to become a rich, famous athlete or entertainer (艺人). For example, Liverpool, which produced the Beatles, had one of the best English soccer teams in recent years. Pele practiced in the street with a "ball" made of rags (破布). And George Best learned the tricks that made him famous by bouncing the ball off a wall (对着墙壁踢球) in the slums (贫民窟) of Belfast.

All great players have a lot in common, but that doesn't explain why they are great. Hundreds of boys played in those Brazilian streets, but only one became Pele. The greatest players are born with some unique quality that sets them apart from all the others.