Coolest Hotels in the World

Ariau Amazon Towers

    The Ariau Amazon Towers hotel lets you sleep in a tree house. Eight towers make up this hotel that offers over 300 rooms. If you really want to get into the spirit, book the Tarzan Suite which is large enough for a big family. You'll be thirty feet up in the air and can travel between the towers through their wooden walkways.

    Prices: starting at $300 one night for each person for a regular room and going all the way up to $3000 for the Tarzan Suite.

    For more information, visit the website: http://www.ariautowers.com

The Ice Hotel

    Every winter in Jukkasjarvi, Sweden, a special kind of hotel called the lee Hotel is built. Each year, world-famous artists are invited to design and produce works of art from the ice, many of which can be found in the rooms. You'll have your choice between hot or cold rooms but you will be well advised to stay at least one night in a cold room for a true experience.

    Prices: starting at $318 one night for each person for either a cold room or a warm one. For more information, visit the website: http://www.icehotel.com

Propeller Island

    Propeller Island City Lodge is a very special hotel that was designed by a German artist. Each room provides you with the possibility of living in a work of art. Every single piece of furniture in the thirty rooms of the hotel has been hand-made and each room is completely different. You'll be able to choose a room based on your own personal tastes.

    Prices: starting at just $91 a night, and an additional person for only 20 extra dollars. For more information, visit the website: http://www.propeller-island.com

    For information about other cool hotels in the world, visit the website: http://www.bahamabeachclub.com

    Australian cities can keep their native wildlife — but only if they can kick their habit of urban sprawl (扩展). That's the finding of a new study by leading Australian environmental researchers Jessica Sushinsky, Professor Hugh Possingham and Dr. Richard Fuller of The University of Queensland.

    “While urban development usually reduces the number of birds in a city, building more compact (紧凑的) cities and avoiding urban sprawl can slow these reductions greatly,” says lead author Jessica Sushinsky. “Compact housing development leaves birds' homes untouched, leading to fewer losses of birds.”

    The researchers surveyed native and wild birds in Brisbane's urban areas, including living and industrial areas, public parks and gardens, major roadways and airports. They then used statistical modeling to find out what will happen to the birds as the city grows. The first setting was compact growth — where multiple homes are built on land that previously had only one house. The second setting was sprawling growth — a familiar pattern where homes are built here and there beyond the city's current boundaries.

    The team's forecasts showed that a much greater diversity of species was lost over 20 years in the sprawling setting compared to the more compact setting. “Urban sprawl resulted in the disappearance of many urban-sensitive birds — birds that only live in areas where there is native vegetation (植被), such as parklands and woodlands,” Ms. Sushinsky says.

    “On the other hand, we found the city with the compact development attracted more birds because it kept more of its parks and green areas.”

    Now the Queensland Government has adopted the more compact urban growth strategy, which, Dr. Richard Fuller says, is good news for Australia's native birds. These birds are environmental specialists — they need a particular environment to do well. “While compact development means smaller backyards, it can also make our entire cities more biodiverse,” according to Dr. Fuller. “The study shows that we should hold on to our green spaces instead of clearing them for sprawling development.”

    This is the first time science has modeled the effects of different urban growth strategies on birds, the researchers say. “Statistical models like these are important because they help us to understand the ecological consequences of a particular decision,” says Dr Fuller.

    When I was growing up，I was embarrassed to be seen with my father. He was badly crippled (跛脚)，and when we would walk together，his hand on my arm for balance，people would stare，I would be ashamed of the unwanted attention.

    It was difficult to walk together—and because of that，we didn't say much as we went along. But as we started out，he always said，“You set the pace. I will try to follow you.”

    Our usual walk was to or from the subway，which was how he got to work. He went to work sick，and even in bad weather. He almost never missed a day，and would make it to the office even if others could not. It was a matter of pride for him.

    When snow or ice was on the ground，it was impossible for him to walk，even with help. At such times my sister or I would pull him through the streets of Brooklyn，N.Y.，on a child's sleigh to the subway entrance. Once there，he would try to grasp handrail until he reached the lower steps that the warmer tunnel air kept ice free. In Manhattan the subway station was the basement of his office building，and he would not have to go outside again until we met him in Brooklyn on his way home.

    When I think of it now，I am surprised at how much courage it must have taken for a grown man to suffer from shame and disability. And I am also surprised at how he did it—without bitterness or complaint.

    He never talked about himself as an object of pity，nor did he show any envy of the more fortunate or able. What he looked for in others was a “good heart”，and if he found one，the owner was good enough for him.

    Now that I am older，I believe that is a proper standard by which to judge people，even though I still don't know exactly what a “good heart” is. But I know the times I don't have one myself.

    He has been away for many years now，but I think of him often. I wonder if he sensed my reluctance to be seen with him during our walks. If he did，I am sorry I never told him how sorry I was，how unworthy I was，how I regretted it. I think of him when I complain about my troubles，when I am envious of another's good fortune，when I don't have a “good heart”．

    On Friday, Germany's telecom regulator(电信业管理者), the Federal Network Agency, announced that a number of children s smartwatches, designed for ages 5 to 12, can allow someone to remotely tap into the watch s microphone and secretly spy from remote places. The regulator isn't just worried about the potential of people spying on children-it's worried the devices(设备) can be used to spy on anyone.

    And in Germany, it's illegal to record private conversations without permission. "According to our investigations, parents were using the watches, for example, to listen in on their children during class, said Federal Network Agency President Jochen Homann in a statement.

    Smartwatches that make phone calls, like the Apple Watch, are legal in Germany. The problem with many of the children's smartwatches, however, is that the devices have a classic spying function, similar to a baby monitor, which can be easily activated (激活) just by using an app.

    The German regulator is so serious about destroying these devices. It's asking citizens to document the watches' destruction and file evidence online. Once the watches are destroyed, the regulator will provide a "certificate of destruction," confirming the deed was done.

    This isn't the first time the Federal Network Agency told German citizens to destroy a consumer device. The regulator once prohibited the doll "My Friend Cayla", which was fitted with radio transforming technology that could allow children to be spied on.

    Remind tech producers: The German government won't just ban devices that can spy on anyone, they'll demand the devices be destroyed with hammers (or whatever means of destruction one prefers) — even if they're dolls.

    Africa is a very diverse land with many different tribes. One tradition that many of these groups share is painting or marking their bodies and faces in color. They do this for many reasons. Some marks are used to identify people as part of the group. Other marks are used for ceremonies such as wedding and during times of war. Let's look at some different examples of body painting.

    Red is a common color in body painting because it often represents health and long life. Among the Masai of East Africa, when men are old enough to marry and make decisions for their people, they participate in a special ceremony in which they paint their heads and faces red. This ceremony takes place every seven to fourteen years, so there is not an exact age for participating in it.

    The Samburu, also from East Africa, like to paint their faces and hair red because they think it looks pretty.

    The Masai men also have a unique way of showing that they are brave. To show that he has killed a lion, a man will paint his body with a natural white material, making special marks to represent this accomplishment. The Masai men also use this white to show that they are no longer boys and are considered adults.

    One quite unusual example of face painting is done by the Wodaabe people of West Africa. Once a year, they have a beauty contest for men. The men paint their faces yellow and red. Then they add white and black circles and lines. Black paint is used near the eyes and on the lips to draw attention to the whiteness of their eyes and teeth, which the Wodaabe consider most beautiful. The women then decide which man they like best.

    As you travel, enjoy the beautiful and bright colors of Africa.

Take one step closer to the lights on Broadway－build essential theater skills and start carving out your own creative professional path

Immersing themselves in the amazing, unparalleled New York theater scene, students will explore and analyze the craft, including creating an original piece and meeting professionals in the field. Throughout the term, students will use both classroom work and site visits around the downtown to examine and complete the creative process of taking an initial idea to production, gaining technical expertise (专业知识) and fluency in theater.

Students will also explore different areas of professional skill development, including playwriting structure and techniques, acting methods that help bring a play to life, scene structure. The course is open to all students－from those who are curious about the field but have no prior experience to those who already have one (or more!) plays, waiting to be developed.

Course Highlights

● Complete a hands-on experience in playwriting, acting and production, learning about the real processes the industry uses to create theater productions.

● Brainstorm, develop a concept, write and workshop a draft of a short play or scene, and bring it to stage with input and feedback from instructors and peers.

● Get a close-up view of the often-opaque (不透明的) business of theater, focusing on impacts to the profession brought about by social movements and current events.

Tuition*

● Residential Program (Students live in dorm-like facilities in the center of the city): $6,845

● Day Program (Students commute to class every day and do not receive accommodation and board): $5,560

(We encourage graduating seniors to apply before June 21, 2024 for a $425 discount on tuition.)

Term Date: July 21－Aug 2, 2024

Application Deadline: Friday, July 12, 2024

Contact Admission: info@nytedu.com

*We believe financial circumstances should not prevent someone from joining our program. Explore financial aid and scholarships.Learn More