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题型:阅读理解 题类:常考题 难易度:普通

辽宁省重点高中协作校2015-2016学年高二下学期期末考试英语试题

阅读下面短文,从每题所给的四项个选项(A,B,C和D)中选出最佳选项。
C
    It has been more than 50 years since Harvard Business School started admitting women, yet the institution(机构) is still trying hard to find out how to best attract and support them. Its latest effort: a program targeting women's colleges—place that are not traditional feeding grounds for the male-majority business school.
    The program is called Peek. It offers juniors, seniors and recent graduates from women's colleges the opportunity to read and discuss four HBS case studies in class specially taught by top HBS members. About 50 to 70 promising students will pay $500 for their stay there.
    Women make up 41 percent of Harvard Business School class of 2016--the most the school has had. In 1985, women made up only one-quarter of the graduating class. Harvard is not alone when it comes to struggling with a gender gap (性别差别). At Wharton, the class of 2016 is 40 percent women; at Standford Business School, it's 42 percent. No top business school had gotten to 50 percent yet.Despite the Peek program's good intention, the $500 fee bothered someone, said John A. Byrne, the editor of business school new site. ”The fact that HBS would charge women for the chance of coming to campus rubbed a lot of people the wrong way,” said Byrne. HBS said the $500 fee was a “fair price” for room and daily meals at the business school for a weekend, and didn't actually cover the full costs of the program.
    For years, women students at Harvard Business School failed to keep pace with men. In 2010, Harvard business School got a new manager, Nitin Nohrin, who promised a turnaround. Nohrin designed a program to encourage women students and professors. He promised to change the school's case studies so that at least 20 percent of the people in the business texts would be women.
(1)、What can we learn about the program Peek?   

A、It is free for new students. B、It offers all kinds of business classes. C、It is helped by the best teachers. D、It is intended for high school students.
(2)、What is the main idea of the Paragraph 3?

A、women are not good at business management. B、Women are less interested in business school. C、Women students are less talented than men students. D、Women students are becoming fewer and fewer in college.
(3)、In the eyes of Byrne, Harvard's program___________.   

A、will be a total failure B、will waste lots of money  C、doesn't have many good intention D、will shut some students out
(4)、What is the text mainly about?

A、HBS's new plan to attract more women students. B、HBS's new manager Nitin Nohria. C、HBS's effort to attract talented students.  D、HBS, the best business school ever world-wide.
举一反三
The values of artistic works, according to cultural relativism(相对主义), are simply reflections of local social and economic conditions. Such a view, however, fails to explain the ability of some works of art to excite the human mind across cultures and through centuries.

History has witnessed the endless productions of Shakespearean plays in every major language of the world. It is never rare to find that Mozart packs Japanese concert halls, as Japanese painter Hiroshige does Paris galleries, Unique works of this kind are different from today's popular art, even if they began as works of popular art. They have set themselves apart in their timeless appeal and will probably be enjoyed for centuries into the future.

               In a 1757 essay, the philosopher David Hume argued that because“the general principles of taste are uniform(不变的) in human nature,”the value of some works of art might be essentially permanent. He observed that Homer was still admired after two thousand years. Works of this type, he believed, spoke to deep and unvarying features of human nature and could continue to exist over centuries.

               Now researchers are applying scientific methods to the study of the universality of art. For example, evolutionary psychology is being used by literary scholars to explain the long-lasting themes and plot devices in fiction. The structures of musical pieces are now open to experimental analysis as never before. Research findings seem to indicate that the creation by a great artist is as permanent an achievement as the discovery by a great scientist.

阅读理解

    Humans and many other mammals have unusually efficient internal temperature regulating systems that automatically maintain stable core body temperatures(核心体温)in cold winters and warm summers. In addition, people have developed cultural patterns and technologies that help them adjust to extremes of temperature and humidity(湿度).

In very cold climates, there is a constant danger of developing hypothermia(低体温), which is a life threatening drop in core body temperature to below normal levels. The normal temperature for humans is about 37.0℃. However, differences in persons and even the time of day can cause it to be as much as 6℃ higher or lower in healthy individuals. It is also normal for core body temperature to be lower in elderly people. Hypothermia begins to occur when the core body temperature drops to 34.4℃. Below 29.4℃, the body cools more rapidly because its natural temperature regulating system usually fails. The rapid decline in core body temperature is likely to result in death. However, there have been rare cases in which people have been saved after their temperatures had dropped to 13.9-15.6℃. This happened in 1999 to a Swedish woman who was trapped under an ice sheet in freezing water for 80 minutes. She was found unconscious, not breathing, and her heart had stopped beating, yet she was eventually saved despite the fact that her temperature had dropped to 13.7℃.

In extremely hot climates or as a result of uncontrollable infections, core body temperatures can rise to equally dangerous levels. This is hyperthermia. Life threatening hyperthermia typically starts in humans when their temperatures rise to 40.6-41.7℃. Only a few days at this extraordinarily high temperature level is likely to result in the worsening of internal organs and death.

阅读理解

    Tourism is often about seeking deeper emotional and personal connections with the world around us. Not all travel experiences, however, need to take place in the real world. With the evolution of virtual reality (VR) technology, tourism will increasingly become a combination of physical and virtual worlds. VR may even remove the need to travel entirely.

    But can a VR experience really equal a real world one? Many experts believe it can. Studies have shown that our brains have an inbuilt VR-like mechanism that enables us to live imagined experiences. Much of our waking life is spent thinking about either the past or the future. This is known as" mind wandering". During these events we're not paying attention to the current world around us. Instead, we're recalling memories, or creating and processing imagined futures.

    When engaged in mind wandering, our brains process these mental images using the same pathways used to receive inputs from the real world. So, the imagined past or future can create emotions and feelings similar to how we react to everyday life. VR can create these same feelings.

    While critics might argue that a virtual experience will never match reality, there are several ways VR tourism could make a positive contribution. Firstly it could help protect sensitive locations from over-tourism. In recent years famous sites such as Maya Bay in Thailand, and Cambodia's Angkor Wat Temples have had to limit the number of visitors because of their negative impact. These places are now producing their own VR experiences that will allow tourists to pass through virtual models of the sites.

    Virtual reality may also allow people back in time, to experience historical events, visit ancient cities, and even to walk among dinosaurs.

    Finally, in a world where many people suffer from stress and depression due to overwork, virtual tourism may provide a cheap and convenient way for people to take brief holidays to otherwise unreachable destinations and recharge their batteries, without ever leaving their homes.

    It sounds like science fiction but it's already happening. As virtual technology improves and as people continue to demand new and interesting experiences, expect more virtual tourism, both in combination with the real world and instead of it.

Choose the one that fits best according to the information given in the passage you have read.

    Stocky, slow-moving whale, rarely grows beyond 15 metres in length

    Flippers are a third of body length; variable dorsal fin size and shape; saw-toothed trailing edge on flukes, often raised when diving

    Bumpy tubercles on top of head

    Body colour is dark brown to black; often extensive white on flippers and underside of body and flukes; such patterns enable individual recognition

    Bushy blow, occasionally V-shaped

    270-400 olive baleen plates

    Humpback whales belong to the rorqual (groove-throated) family, which includes fin, sei, Bryde's, minke and blue whales. The big family migrate between winter tropical breeding areas (North West Shelf, Great Barrier Reef, New Caledonia, Vanuatu, Fiii, Tonga) and summer Antarctic feeding areas. Once common in New Zealand waters, humpbacks are now rarely seen and may migrate further offshore. Males compete for mates either by physical fight or by song. Females give birth to their young every two to three years; some non-breeding females probably remain in the southern waters during winter. Young humpback whales return to their area of birth but in later life some wander between breeding areas. Humpbacks eat small shrimps and other schooling prey, such as fish, forming small, cooperative groups of two to three individuals to feed.

    Similar species: Easily identifiable due to a 'hump' back when submerging, but at a distance may be confused with other species that raise their flukes when diving, such as sperm, right and blue whales.

    Protection status: Recovering well from past whaling and now numerous in some former migration and aggregation areas, rarely seen in others.

阅读理解

    Angel Garcia Crespo is a computer engineer at Carlos III University of Madrid in Spain. His group has invented a new way for deaf-blind people to “watch” TV. The idea for the technology grew out of previous work by his group. The team had already worked on making audiovisual(视听的) materials accessible to people with either vision or hearing disabilities. But the group wanted to help people with both challenges. So they asked some deaf-blind people what would help.

    In addition to relying on their sense of touch to communicate, deaf-blind people can also get and send information with a Braille line. The Braille system uses patterns of raised dots to stand for letters and numbers. A Braille line is an electronic machine with a changeable Braille display. Dots rise up or drop down based on the information sent to the machine.

    Now the new system changes TV signals to data a Braille line can use. “The key to the system is the possibility of using subtitles(字幕) to collect TV information, " Garcia Crespo explains. "Subtitles travel with the image(影像) and the audio in electromagnetic waves we don't see. But an electronic system can keep those waves."

    First, a computer program, or app, pulls out the subtitles and visual descriptions from the broadcast signal. The system then combines the information and changes both into data for Braille.

    Now another app gets to work, which sends the data out to people's Braille lines on demand. “This is done in real time, in less than a second, " Garcia Crespo says. This lets a deaf-blind person "watch" TV as it's broadcast. The system will work with various Braille lines, as long as there's a bluetooth connection available. Now, the system is only used in Europe, and it should soon be available in the US.

阅读理解

    Body language is a broad term for several forms of communication using body movements or gestures, instead of, or as a complement to, sounds, verbal language, or other forms of communication. In turn, it is one category of paralanguage, which describes all forms of human communication that are not language.

    Paralanguage including body language has been extensively studied in social psychology. In everyday speech and popular psychology, the term is most often applied to body language that is thought to be involuntary, but in fact the distinction between voluntary and involuntary body language is often blurred: a smile or a wave may be given either voluntarily or involuntarily, for example.

    Voluntary Body Language is less commonly discussed because it seems unproblematic. It refers to movement, gestures and poses intentionally made by the person: smiling, hands, imitating actions, and generally making movements with full or partial intention of making them and a realization of what they communicate.

    The relation of body language to animal communication has often been discussed. Human paralanguage may represent a continuation of forms of communication that our non-linguistic ancestors already used, or it may be that it has been changed by co-existing language. Some species of animals are especially skilled at detecting human body language, both voluntary and involuntary: this was the reason for trying to teach the chimpanzee Washoe American Sign Language rather than speech and perhaps the reason why the Washoe project was more successful than some previous efforts to teach apes how to dance.

    Body language is a product of both genetic and environmental influences. Blind children will smile and laugh even though they have never seen a smile. The ethnologist (文化人类学者) Iraneus Eibl-Eibesfeldt claimed that a number of basic elements of body language were universal across cultures and must therefore be fixed action patterns under instinctive (本能的) control. Some forms of human body language show continuities with communicative gestures of other apes, though often with changes in meaning. More refined gestures, which vary between cultures (for example the gestures to indicate "yes" and "no"), must obviously be learned or modified through learning, usually by unconscious observation of the environment.

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