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题型:阅读理解 题类:常考题 难易度:普通

上海市杨浦区2020届高三上学期英语期中考试试卷

Choose the one that fits best according to the information given in the passage you have just read.

    Gardeners may be able to cut down on the amount of weeds(杂草)killer they use by dealing with invaders at specific times of the day, such as dawn, a new study suggests.

    Researchers at the University of Bristol have discovered that the 24-hour rhythms of plants leave them more defenseless to herbicides(除草剂) at different points in their daily 24 hour cycle.

    They believe the findings could help farmers by reducing crop loss and improving harvests. And gardeners could benefit from knowing which weeds respond better at certain times of the day. In recent years, pesticides and herbicides have been implicated in the decline of important pollinating insects, such as bees.

    Dr Antony Dodd, senior author of the new study, said: "The research suggests that, in future, we might be able to improve the use of some chemicals that are used in agriculture by taking advantage of the biological clock in plants."

    Just like humans, plants have evolved to take advantage of cycles of night and day, with certain biological processes turning on at different times of the day.

    Scientists have discovered that many drugs work much better in humans if they are given at specific hours. Aspirin, for example, has doubled the impact on thinning the blood if taken at night as opposed to in the morning. The process is known as 'chronotherapy' and researchers wanted to find out if the same concept could be applied to plants.

    Many gardeners already know that plants drink in more water in the morning because their pores(气孔) are open to take advantage of early morning dew and water vapour. At the break of the day, plants are also not busy producing food throughphotosynthesis(光合作用). The open pores could also be the reasons that chemicals are more effective at dawn and also at dusk.

    The air is also likely to be stiller at dawn and dusk, meaning that pesticides or herbicides are less likely to be blown away to places where they are not wanted. Pesticide labels often warn against spraying on windy days in case they endanger people or animals. Many insects are active early in the morning and around dusk, also making very early morning and early evening effective times for insecticide.

    Commenting on the study, Dr. Trevor Dines, Botanical Specialist at the conservation charity Plantlife, said: "This is fascinating research which will be of great interest to many gardeners like me. If anything used to think the opposite was true - that applying herbicides and pesticides late in the day would be better as they'd remain in Vet contact' with the plant for longer in the cool of the night and therefore be taken up or absorbed more effectively. This research knocks that assumption on its head"

(1)、Which of the following can replace the underlined phrase "implicated in" in the third paragraph?
A、restored to B、blamed for C、limited to D、composed of
(2)、According to the research, what are the reasons for using herbicides in the morning?
A、The process of photosynthesis is most active in the morning. B、Insects are more defenseless in the morning than any other time of the day. C、Bigger pores on the plants make herbicides work more effectively. D、The stronger morning wind blows pesticides away to more places.
(3)、What can be inferred from the last paragraph?
A、Gardeners were interested in combining science with gardening. B、A long time had passed before herbicide was applied in farming. C、The old assumption about the use of chemicals proved right. D、Many gardeners used to spray herbicides at the wrong time.
(4)、What is the main idea of this article?
A、New chemicals have been found to help kill harmful insects. B、Biological clock of plants could help gardeners use less weed killer. C、Plants' cycles can be taken advantage of to improve the environment. D、The research on the effects of pesticides has enabled good harvests.
举一反三
阅读理解

    The Great War Exhibition

    When: Sun 10 Jan, 9:00 am- 6:00 pm

    Mon 11 Jan, 9:00 am- 6:00 pm

    Where: Dominion Museum Building, 15 Buckle Street, Wellington

    Restrictions: All Ages

    Ticket Information: Admission Free

    The journey is rich in personal stories which tell of the great experience of the battlefields and the hardships at home during war-time New Zealand. The visitors will experience the desperate horrors and the victories of the human spirit that were part of the Great War.

    Kaipara Coast Plants & Sculpture Gardens

    When: Sun 10 Jan, 9:00 am- 5:00 pm

    Mon 11 Jan, 9:00 am- 5:00 pm

    Where: 1481 Kaipara Coast Highway (SH16), Auckland

    Restrictions: All Ages

    Ticket Information:

    Adults: $10.00

    Children 5-13 (under 5, free):$ 5.00

    Groups 10: $ 8.00

    Over 60 & Students (with ID): $ 9.00

    Come and enjoy a relaxing art and garden experience. Sculptures are for sale and the display changes completely every 12 months with the new exhibition opening in December each year to give you a fresh experience each time you come.

    Dream Works Animation

    When: Sun 10 Jan, 10:00 am- 6:00 pm

    Mon 11 Jan, 10:00 am- 6:00 pm

    Where: Te Papa, 55 Cable St, Wellington

    Restrictions: All Ages

    Ticket Information:

    Adults: $ 15.00

    Children & Students 3-15 (with Student ID): $ 6.00

    Children under 3: $0.00

    The exhibition features over 400 items, including rare concept drawing, models, interviews, and original artworks. Adults and kids can get creative with real animation tools, and soar above the clouds in the Dragon Flight experience from How to Train Your Dragon.

    Balls, Bullets and Boots

    When: Sun 10 Jan, 9:00 am- 4:30 pm

    Mon 11Jan, 9:00 am- 4:30 pm

    Where: National Army Museum, 1 Hassett Dr, SH1, Waiouru

    Restrictions: All Ages

    Ticket Information: Door Sales Only

    The exhibition explores the impact the cruel reality of war had on colonial sportsmen and their loved ones as they were transplanted from the rugby fields of home to fight.

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    A 12-year-old with end stage cancer, the child's parents had recently moved her from the hospital to her home in the suburbs of Los Angeles. Some days later the girl's breath quickened, and her father phoned the family's hospice nurse. Please come, he said.

    The nurse knew the visit would require more than four hours of her time: a two-hour drive in each direction, plus her time with the girl. Why don't we connect over FaceTime, she asked. The father agreed, and they connected.

The nurse asked the father to move his daughter gently to her side, then to her back, to lift the child's shirt. The nurse would ask: What do you see, what concerns you, and the father would explain. In this fashion the pair examined the girl — the nurse on her computer, the father his iPad. Together they decided that the nurse's presence was not necessary, that the child had more time.

    Later, the father reported feeling comforted by the nurse. He appreciated her availability, the fact that she could see what he saw, and their ability to discuss it in real time.

Telemedicine has become a trend in America. Some hospitals have gone so far as to specially design telemedicine clinics. The room is staged like an office but with better lighting. There's a nice desk for the clinician to sit behind, a computer situated stage left, and books in the background. A physician taking a video call from home might wear a pair of headphones, equipped with a mic — to ensure whatever the patient says isn't broadcast to anyone off-camera.

    However, there is something more than the technology bit. According to David, the head of the telemedicine pilot the girl's family had been part of, there are some people who are great in person and you put them on camera they're a dead fish. “Some physicians are camera shy. For others, the physical isolation can actually help them be more empathetic.” He adds.

    “My experience is that, once you get past some initial hurdles, you can maintain an intimate, immediate connection with patients that in some cases may be more useful than even in-person interactions,” David says.

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    A DREAM, for me, is like a torch to light up my insipid (平淡的)life and a pair of wings to fly me into the sky. The uncertainty of my future and the heavy burden of schoolwork had driven me into a negative situation and not until I had a dream did I get out there. I decided to become a hostess.

    It was last summer. I went to Jinan, which is famous for its natural springs, and started to learn broadcast hosting. However, I found that it was not easy.

    The weather was bad. It was too hot to stay calm, which made me homesick. I called-my parents at least five times a day. But as I tried my best to adapt to the weather and living conditions there, I became more independent.

    Another thing bothered me, too. My teacher criticized all my mistakes. Grievance (委屈)and exhaustion often reduced me to tears and sweat flowed down my checks. To get her recognition, I practiced my voice skills in a park every day, even on rainy days. You can't imagine how happy I was when she praised me for the first time.

    My dream enabled me to change a lot. Without my dream, I wouldn't have had the courage and the confidence to host the New Year party at our school. On stage, I knew that it was a good beginning to my hosting dream.

    I took the arts examination in the winter. To my delight, I did well. And I was more than excited when I received the offers from Shandong Normal University, Yunnan Normal University and Yunnan Art Institute.

    My dream has powered so much energy in me that my life has become colorful every day. So, however hard it will be to stick to my dream, no way will I give it up!

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    Assistant professor in Musical Theatre Dance Wichita State University seeks a full-time, 9-month assistant professor, beginning in August. Applicants are required to have a degree in dance area, teaching experience at a professional or college level, ability to direct and teach stage movement. The salary depends on qualifications and experience.

    For complete information visit http://finearts.wichita.edu.

    Full Professor in Theatre and Dance

    The Department of Theatre and Dance at the University of California at San Diego (http: ∥www. theatre, ucsd.edu) is seeking an experienced theatre artist in lighting design. Applicants must work for us for at least one year. Significant professional experience is required. This position is expected to teach at both graduate and undergraduate levels.

    A review of applications will start on June 1st. Application deadline: September 1st.

    Technical Director in Performing and Fine Arts

    DeSales University's Performing and Fine Arts Department seeks a highly skilled, professional technical director. The position is a 10-month staff position with the possibility of summer employment with the Pennsylvania Shakespeare Festival. Professional experience is required; MFA is preferred.

    Please email materials to john. bell desales.edu. Screening of applications begins immediately and will continue until the position is filled.

    Assistant Director-Media Resources Center

    Maryland Institute College of Art is seeking an assistant director of Media Resources Center in the Academic Affairs Division.

    Qualifications for the position include a degree in Art History or related fields with knowledge of art and design history, library experience, excellent interpersonal communication skills and familiarity with photoshop and scanning.

    A review of applications will begin immediately; job announcements will remain open until the position is filled. Applicants are required to work for us at least 11 months and can send emails to jobs mica.edu. The salary differs depending on your experience. Please include your desired salary in your application letter.

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    Have you ever imagined what it would be like to see the world through an animal's eyes? For example, what a chimpanzee sees as it sits at the top of a tree, or a penguin's view as it dives into the sea to catch its dinner?

    These questions are answered in the nature documentary Animals with Cameras, produced by the BBC. The three-part series was first aired in the UK last month. To explore animal stories "told" by the animals themselves, the documentary's filmmakers worked with scientists to develop cameras that wild animals could wear.

    "Never before have we seen such high-quality footage (连续镜头)directly from the animal's point of view, " BBC Nature executive producer Fred Kaufman told PBS." This miniseries greatly expands our comprehension of animal behavior and this camera technology opens up new possibilities for discovering so much more."

    Indeed, the groundbreaking technology provides a new viewpoint of the animal kingdom. New cameras with enough battery life to shoot for hours at a time were designed to be comfortable enough for animals to wear, according to the documentary's camera designer Chris Watts.

    The technical challenges didn't stop there. Some animals were very curious about the equipment, with some even fighting each other for the chance to wear a camera. In the case of chimpanzees, "we had to create dummy (仿造的)cameras, so that every chimpanzee could get one", the miniseries' wildlife cameraman Gordon Buchanan told Live Science.

    For animals that were comfortable enough to be with human beings, the cameras could be fitted and removed by hand. But for others, the cameras came off automatically using a timed release and were collected afterward. This meant that the cameras needed to be as tough as possible.

    To avoid disturbing the animals, scientists who were good at dealing with wildlife came to help by putting the cameras on the animals." The last thing we want to do is cause them distress." the documentary's producer Dan Rees told the BBC. "To follow an animal in the first place, there had to be a clear benefit in terms of knowledge about it that might be useful to protecting a species in the future.

    Their efforts certainly paid off. " Footage that captures (捕捉)these rare and exciting glimpses of animals bidden habits is important to scientists, but documentaries like Animals with Cameras also resonate with (引起共鸣)audiences, connecting them with the beauty - and danger - of wildlife in their natural environments," Live Science noted.

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