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题型:阅读理解 题类:常考题 难易度:普通

安徽省高升学校2019-2020学年高一上学期英语期中考试试卷(含听力材料)

阅读理解

    Do you have a talented young artist, photographer, or designer in your life? It's never too early to start helping them get their work out there! We've rounded up the top art contests for kids and teens that can help these young creators share their first masterpieces with the world. Best of all? Most of them are totally free to enter!

    Global Canvas Art Competition

    Ages: 16 and under

    Mediums: Drawing, painting

    Global Canvas is all about the environment. Launched by the David Shepherd Wildlife Foundation, this art competition wants to inspire the next generation to be more mindful of how we take care of the earth. The judges are looking for artists to capture the wonderful places that wildlife call home.

    Toyota Dream Car Art Contest

    Ages: Four to 15

    Mediums: Drawing, painting

    Time to design a dream car! Toyota wants to get junior artists thinking about what the future of transportation might look like. Prizes include cash and a chance to tour one of the Toyota manufacturing plants.

    Advena World's art Competition

    Ages: 15 and under

    Mediums: Drawing, painting

    Advena World's art competition aims to promote creativity and self-expression. Instead of a theme, they ask the participating artists to simply express their feelings—anything from sadness or joy to anger or excitement—through their chosen medium,.

    Progressive Young Artist Awards

    Ages: 13 to 19

    Open to: All international applicants

    Mediums: Painting, drawing, photography, mixed media, sculpture

    Cost to enter: $5 USD

    PYAA is all about expressing and celebrating progressive values. So, if there is a creative teen in your life who wants to do good in the world, sign them up for this art contest for teens. The prize is a scholarship which they can put toward their post-secondary schooling.

(1)、Which focuses on the environment?
A、World Wide Kids Drawings. B、Global Canvas Art Competition. C、Toyota Dream Car Art Contest. D、Progressive Young Artist Awards.
(2)、What prize can the winner get at Toyota Dream Car Art Contest?
A、dream car. B、A scholarship. C、A plant tour. D、Cash crops.
(3)、What is the special about Advena World's art Competition?
A、It has no fixed theme. B、It has entrance fee. C、Its entry can be photos. D、Anyone can join it.
举一反三
阅读理解

    Mom wanted only one thing for her birthday. “Can you find me another copy of this song?” she asked, and handed me a worn-out cassette tape (磁带). I knew exactly what was recorded on it: My Redeemer (救世主). I heard the song played at least a thousand times while growing up. After so many years, the cassette tape was too worn out to be used. I promised her I would find a replacement.

    My Redeemer became Mom's favorite song after my younger brother Tim was killed by a drunk driver in 1973. The only thing that helped her calm down was the soulful sound of My Redeemer from the local radio station.

       We recorded it on a cassette tape so she could listen to it any time she wanted but none of us knew who the soloist (独唱者) was. These days, I thought the song would be easy to find out. I went home and searched the Internet. Several songs with that title popped up, but none of them was the one Mom loved. I got frustrated.

    Mom's birthday drew near and then one day, I was driving home, listening to our local radio station. A familiar tune came on. It was My Redeemer! As soon as I could, I phoned the station. I got a line on the soloist, who was called Alan Parks. I typed his name into Google and found his home number in South Carolina. Minutes later, I was telling him how much his recording meant to Mom. He offered to ship two CDs out to me personally. I gave him my address.

    'Red Lion, Pennsylvania?' he said. 'Do you know the Logans?' 'They are our neighbors!' 'I've been friends with them for 25 years,' Alan said. 'They'll be at my concert at York Gospel Chapel on April 17th. Would you and your mom come too” We sure would. Mom was excited to hear Alan sing My Redeemer to her, live in concert —on the evening of her 87th birthday.

阅读理解

    A survey has shown that what you do on a plane can be determined by which nationality is listed on your passport.

    According to the results of an international passenger survey, Australians are the biggest drinkers on board with 36 percent choosing to down the hatch, compared to 35 percent of Americans and 33 percent of Brits.

    The Airline Passenger Experience Association(APEX) spoke to around 1,500 people, aged 18 and older, who have traveled by plane at least once during the last three months and were living in the United States, United Kingdom, Germany, Japan, China, Singapore, Australia and Brazil.

The results found Chinese travelers are most likely to nod off once the seat-belt sign switches off. They are also the first to take out their credit card for some in-flight shopping and the biggest fans of gaming. Americans on the other hand like to use their time in the air more productively—- when not drinking—- choosing to work while flying at 35,000 feet.

Meanwhile, Brits and Germans are the best at making chat with random strangers—-spending 50 percent more time than any other nationality. Comparatively, Brazilians conduct their conversations online via email, messaging apps or social media.

    Despite plane food having a bad reputation, seven out of ten interviewees said they were happy to eat up on the selection of in-flight snacks and meals. In-flight magazines were also popular with four out of five passengers.

    The international flyers did however express their desire for better in-flight entertainment. “The industry has greatly improved the comfort, entertainment and onboard service, and passengers are accepting those improvements” said Russell Lemieux, APEX executive director. “At the same time, passengers are demanding more from their air travel experiences which will drive more improvements touching all aspects of the journey.” he added.

阅读理解

    By now, you've probably been warned that a robot is coming for your job. But rather than repeat the warning, I've decided to throw down a challenge: man against machine.

    Start with the task we're doing right now: communicating in fluent human. We're sharing abstract ideas through words that we choose with an understanding of their slight difference and impact. We don't just speak in human; we speak as humans. A robot who says that science is fun is delivering a line (念一句话). A human who says that science is fun is telling you something important about being alive.

    Here's another inbuilt advantage we take for granted: as humans we are limited by design. We are bound in time: we die. We are bound in space: we can't be in more than one place at a time. That means when I speak to an audience, I am giving them something special. It's a custom-made, one-off, 100% robot-free delivery, from today's one-and-only Australian Chief Scientist.

    True, I now come in digital versions, through Twitter and Facebook and other platforms, but the availability of those tools hasn't stopped people from inviting me to speak in person. Digital Alan seems to increase the appetite for human Alan, just as Spotify (a digital music service) can increase the demand for a musician's live performances.

    Thanks to technology, many goods and services are cheaper, better and more accessible than ever before. We like our mass-produced bread, and our on-tap lectures and our automated FitBit advice. But automation hasn't killed the artisan bakery (面包店). Online courses haven't killed the booming, alongside their machine equivalents.

    Here's a third argument for the win. We humans have learned the habit of civilization. Let me explain this point by a story. A few years go, some researchers set out to study the way the people interact with robots. They sent out a small robot to patrol (巡逻) the local mall. That robot had a terrible time, and the villains of the story were children. They kicked him, bullied him, and smacked (掌击) him in the head.

    The point is not that the children were violent. The point is that the adults were not. They restrained whatever primitive impulse (冲动) they might have felt in childhood to smack something smaller and weaker in the head, because they had absorbed the habit of living together. We call it civilization. If we want artificial intelligence for the people, we'll need every bit of that civilizing instinct.

    Together, these points suggest to me that humanity has a powerful competitive edge. We can coexist with our increasingly capable machines and we can make space for the full breadth of human talents to flourish.

阅读理解

    The baby is just one day old and has not yet left hospital. She is quiet but alert (警觉的). Twenty centimeters from her face researchers have placed a white card with two black spots on it. She stares at it carefully. A researcher removes the card and replaces it by another, this time with the spots differently spaced. As the cards change from one to the other, her gaze(凝视) starts to lose its focus—until a third, with three black spots, is presented. Her gaze returns: she looks at it for twice as long as she did at the previous card. Can she tell that the number two is different from three, just 24 hours after coming into the world?

    Or do newborns simply prefer more to fewer? The same experiment, but with three spots shown before two, shows the same return of interest when the number of spots changes. Perhaps it is just the newness? When slightly older babies were shown cards with pictures of objects (a comb, a key, an orange and so on), changing the number of objects had an effect separate from changing the objects themselves. Could it be the pattern that two things make, as opposed to three? No again. Babies paid more attention to squares moving randomly(随意地)on a screen when their number changed from two to three, or three to two. The effect even crosses between senses. Babies who were repeatedly shown two spots became more excited when they then heard three drumbeats than when they heard just two; likewise(同样地) when the researchers started with drumbeats and moved to spots.

阅读理解

    For the past few months, my three-year-old daughter has spent an hour every week learning a foreign language. She walks into a small room in a local school, where she and a handful of three and four-year-old spend the next hour dancing to La Vaca Lola”, a song about a Spanish cow, creating finger puppets(木偶) to voice what they like and don't like (me gusta, no me gusta) and shouting out which animals are big (grande) or small (pequeno).

    She tells us little about the classes. In fact, for the first few weeks, nothing at all. I begin to wonder if it was a huge mistake (each lesson works out at about £9) but then I show her “La Vaca Lola” on YouTube. She shouts vaca with enthusiasm and with what I hope is a Spanish accent.

    The wish to enroll(使……加入) her in language lessons came, like most things, gradually and then in a sudden rush. In my day job, I read and edit stories about the Chinese economy. For a long time, I felt that it would be good for her to learn another language but I had no great plan as to when.

    Then I read Edward Luce's The Retreat of Western Liberalism and all my thoughts and worry about the economy combined into a panic. Waking in a sweat, it seemed obvious that if my daughter was to have any kind of future, she would have to learn another language. Ideally (理想地) immediately.

    I thought about Mandarin Chinese, one of the top 10 languages most important for our future, according to the British Council (others include Arabic, French, German, Portuguese, Italian, Russian, Dutch and Japanese). But there were no classes for young children nearby. There were, however, local Spanish classes—the number-one language on the list. When she started to sing "Incy Wincy Spider" in Spanish and English—helped by a Spanish nursery worker-our decision was made.

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