Finally, a cell phone

    That's… a phone

    With rates as low as $3.75 per week ！

    “Well, I finally did it. I finally decided to enter the digital age and get a cell phone. My kids have been annoying me and the last straw was when my car broke down, and I was stuck by the highway for an hour before someone stopped to help. But when I went to the cell phone store, I almost changed my mind. The phones all have cameras, computers and a "global-positioning" something or other that's supposed to spot me from space. Goodness, all I want to do is to be able to talk to my grandkids ！ The people at the store weren't much help. They couldn't understand why someone wouldn't want a phone the size of a postage stamp. And the rate plans! They were confusing, and expensive… and the'contract (合同）lasted for two years! I'd almost given up until a friend told me about her new Jitterbug phone. Now,I have the convenience and safety of being about to stay in touch with a phone I can actually use. ”

    Affordable plans that I can understand一and no contract to sign (签订）！ Unlike other cell phones，Jitterbug has plans that make sense. Why should I pay for minutes I m never going to use? And if I do talk more than I plan，I won 't find myself with no minutes like my friend who has a prepaid phone. Best of all, there is no contract to sign_so I m not locked in for years at a time. The US-based customer service is second to none. And the phone gets service anywhere in the country.

    Call now and receive a FREE gift when you order. Try Jitterbug for 30 days and if you don't love it, just return it! Why wait, the Jitterbug comes ready to -use right out of the box. If you aren't as happy with it as I am, you can return it and get your money back. Call now, the Jitterbug product experts are ready to answer your questions.

    Call 1-888-809-8794 or visit www. jitlerbugdirect. com.

    Why not write in a foreign language? If people feel free to choose their profession, their religion, and even their sex, why not just decide which language you want to write? Ever since Jhumpa published In Other Words in Italian, people have been asking me, “Why don't you write in Italian, Tim? After all, you've been in the country 35 years. What keeps you tied to English?” Is it just a question of economic convenience?

    Certainly economics can be important. It was the factor that pushed Conrad to abandon his Polish mother tongue. If it is not possible to publish at home, or to publish there as one would wish to publish, then one is likely to go elsewhere. And if to publish elsewhere one has to change language, then some authors are willing to take that step.

    Something of the same logic has driven many writers from Africa, Asia to write in French and English in recent years. There is also the fact that people in Europe and the West are interested in the countries they grew up in. Just as in the nineteenth century, novelists like Thomas Hardy could “sell” their familiarity with peasant life to a middle-class metropolitan public, so these writers have interested us with stories that might seem common in their home countries.

    There is also a real internationalism in the decision to change language. If you have “a message” and if English is the language that offers maximum spread, then it would seem appropriate to use it.

    All these make sense. Critics tend to pay attention only to those who have made a success of writing in a new language. In April 2014, a New York Times article essentially listed young literary stars who had switched to writing in the main Western languages. At this point, the native English speaker almost begins to feel at a disadvantage for having been born into the dominant culture. Should we perhaps head for Paris, like Beckett or Jonathan Littell, just to be between two worlds? Or look for something more exotic(异国的) and have ourselves translated back into English afterward? However, one fact is that changing languages doesn't always work.

    I did write a novel in Italian. But after rereading it, I decided against it. My work lost power with the switch of language. My real subject matter still had to do with England and it was to my home culture that my books were addressed. The second language never seems to mean quite as much as the first. In any event, after my early experiment, I never went back to write in Italian. Changing language is not the only way to bring energy to your writing.

    A new report shows that there are just 7,100 cheetahs now left in the wild. Cheetahs are in trouble now.

    According to the study, more than half of the world's surviving cheetahs live in one zone that covers six countries in southern Africa. Cheetahs in Asia have nearly died out. It's thought that only fewer than 50 cheetahs live in Iran.

    The cheetah runs across lands far outside protected areas. Some 77% of their habitat falls outside these protected areas. As a result, the cheetah struggles because these lands are increasingly being developed by farmers and the cheetah's food is decreasing because of human hunting.

    In Zimbabwe, the cheetah population has fallen from around 1,200 to just 170 in 16 years, with the main cause being major changes in land ownership.

    Researchers say that the threats cheetahs are facing have gone unnoticed for far too long. “Given the nature of the cheetah, it has been difficult to gather information on them,” said Dr Sarah Durant, the report's lead author. “Our findings show that the large space requirements for cheetahs and various threats faced by them in the wild mean that they are likely to be in danger of dying out.”

    Another big concern about cheetahs has been the illegal trafficking (非法交易) of young cheetahs. The young cats can fetch up to $10,000 on the black market. Some 1,200 young cheetahs are known to have been trafficked out of Africa over the past 10 years but around 85% of them died during the journey.

    If the cheetahs are to survive, then immediate efforts must be made.

    In the coming months, we are bringing together artists from all over the globe, to enjoy speaking Shakespeare's plays in their language, in our Globe, within the architecture Shakespeare wrote for. Please come and join us.

    National Theatre Of China  Beijing｜Chinese

    This great occasion(盛会) will be the National Theatre of China's first visit to the UK. The company's productions show the new face of 21st century Chinese theatre. This production of Shakespeare's Richard III will be directed by the National's Associate Director, Wang Xiaoying.

    Date & Time: Saturday 28 April, 2.30 pm & Sunday 29 April, 1.30 pm & 6.30 pm

Marjanishvili Theatre  Tbilisi｜Georgian

    One of the most famous theatres in Georgia, the Marjanishvili, founded in 1928, appears regularly at theatre festivals all over the world. This new production of As You Like It is helmed(指导) by the company's Artistic Director Levan Tsuladze.

    Date & Time: Friday 18 May, 2.30 pm & Saturday 19 May, 7.30 pm

    Deafinitely Theatre  London｜British Sign Language(BSL)

    By translating the rich and humourous text of Love's Labour's Lost into the physical language of BSL, Deafinitely Theatre creates a new interpretation of Shakespeare's comedy and aims to build a bridge between deaf and hearing worlds by performing to both groups as one audience.

    Date & Time: Tuesday 22 May, 2.30 pm & Wednesday 23 May, 7.30 pm

    Habima National Theatre  Tel Aviv｜Hebrew

    The Habima is the centre of Hebrew-language theatre worldwide. Founded in Moscow after the 1905 revolution, the company eventually settled in Tel Aviv in the late 1920s. Since 1958, they have been recognized as the national theatre of Israel. This production of Shakespeare's The Merchant of Venice marks their first visit to the UK.

    Date & Time: Monday 28 May, 7.30 & Tuesday 29 May, 7.30 pm

    You have probably heard of the Mozart effect. It's the idea that if children or even babies listen to music composed by Mozart, they will become more intelligent. A quick Internet search reveals plenty of products to assist you in the task. Whatever your age is there are CDs and books to help you taste the power of Mozart's music, but when it comes to scientific evidence that it can make you more clever, the picture is more mixed.

    The phrase "the Mozart effect" was made up in 1991, but it was a study described two years later in the journal Nature that sparked real media and public interest about the idea that listening to classical music somehow improves the brain. It is one of those ideas that sound reasonable. Mozart was undoubtedly a genius himself; his music is complex and there is a hope that if we listen to enough of it, we'll become more intelligent.

    The idea took off, with thousands of parents playing Mozart to their children, and in 1998 Zell Miller, the Governor of the state of Georgia in the US, even asked for money to be set aside in the state budget so that every newborn baby could be sent a CD of classical music. It was not just babies and children who were exposed to Mozart's music on purpose, even an Italian farmer proudly explained that the cows were played Mozart three times a day to help them produce better milk.

    I'll leave the debate on the impact on milk yield to farmers, but what about the evidence that listening to Mozart makes people more intelligent? More research was carried out but an analysis of sixteen different studies confirmed that listening to music does lead to a temporary improvement in the ability to handle shapes mentally, but the benefits are short-lived and it doesn't make us more intelligent.

Let's face it. No one drinks diet sodas for the taste. People drink diet sodas in the hope that it will help them lose weight or at least keep them from gaining it. Yet it seems to have exactly the opposite effect, according to a new study.

Researchers from the University of Texas said those who drank two or more diet sodas a day had waist size increases that were six times greater than those who didn't drink diet sodas. "What we saw was that the more diet sodas a person drank, the more weight they were likely to gain," said Sharon Fowler.

The study was based on data from 474 participants in a large, ongoing research project, where the participants were followed for nearly 10 years.

While the findings are surprising, they also offer some explanations.

Nutrition expert, Melanie Rogers, who works with overweight patients in New York, has found that when patients are switched from regular to diet sodas, they don't lose weight at all. "We weren't seeing weight loss necessarily, and that was confusing to us," said Rogers.

So why would diet soda cause weight gain？No one knows for sure yet, but it could be that people think they can eat more if they drink diet sodas, and so over﹣compensate (补偿) for the missing calories.

A related study found some sweeteners (甜味剂) raised blood sugar levels in some mice. "Data from this and other potential studies suggest that the promotion of diet sodas and artificial sweeteners may be risky," said Helen P. Hazuda, professor at the University of Texas's school of medicine." They may be free of calories, but not of consequences. "