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题型:阅读选择 题类:模拟题 难易度:普通

四川省南充市2019届九年级英语第三次诊断性检测试卷(含听力音频)

阅读理解

    “Everything happens for the best, (一切都会变好的)" my mother said, whenever things weren't going my way. "Don't worry. One day your luck will change."

    After I had finished my college education, I discovered that Mother was right.

    I had decided to try for a job in radio. I wanted to host a sports program. I went to Chicago and knocked on the door of every station. But I got turned down every time. In one station, a kind lady said my problem was that I hadn't got enough experience. "Get some work in a small station and work your way up, "she said.

    I went back home. I couldn't get a job there, either. I felt really down. “Your luck will change, " Mom said to me. I tried another radio station in lowa. But the owner told me he had already had someone.

    As I left his office, I asked, "How can someone be a sports announcer(播音员)if he can't get a job in a radio station?" I was waiting for the lift when I heard the man call, "What did you mean? Do you know anything about football?" He put me in front of a microphone(麦克风)and asked me to try to imagine that I was giving my opinion on a football game.

    I succeeded!

    On my way home, Mom's words came back to me, "One day your luck will change, Son. And when it happens, you'll feel doubly good because of all the hard work you've done." At that moment I knew just what she meant.

(1)、The writer was most interested in_________ .
A、a superstar B、a sports announcer C、a shop assistant D、a weather reporter
(2)、The underlined phrase“turned down" in Paragraph 3 most probably means _________ .
A、欢迎 B、尊重 C、款待 D、拒绝
(3)、The writer didn't get the job in Chicago because _________ .
A、he was too young B、he didn't get college education C、he hadn't got enough experience D、his mother was ill
(4)、_________ made the writer succeed in the end.
A、His own hard work B、His working experience C、The owner's kind heart D、A kind lady's help
(5)、The best title of this passage is _________ .
A、I Was Lucky to Find a Job B、No One Is Always Lucky C、Everything Happens for the Best D、How to Be a Sports Announcer
举一反三
阅读理解

    I live in Mentone, a quiet, simple, restful place, where the rich never come. I met Theophile Magnan, a retired, rich, old man from Lyons yesterday. In the Hotel des Anglais. Theophile looked sad and dreamy, and didn't talk with anybody else. Which brought me back to the past.

A long time ago, Francois Millet. Claude, Carl and I were young artists — very young artists — in fact.

    Yes, Francois Millet. The great French artist, was my friend.

Millet wasn't any greater than we were at that time. He didn't have any fame, even in his own village.

    We were all poor though we had stacks and stacks of as good pictures as anybody in Europe painted. Once a person ever offered four francs for Millet's "Angelus", which he intended to sell for eight.

    It was a fact in human history that a great artist would never be acknowledged* until after he was starved and dead. His pictures climbed to high prices after his death.

    Then we made a decision that one of us must die, to save the others and himself.

    Millet was elected to die.

    During the next three months Millet painted with all his might, enlarged his stock all he could, not pictures, not sketches, studies, parts of studies, fragments of studies, of course, with his cipher *  on them.

    They were the things to be sold.

    Carl went to Paris to start the work of building up Millet's name. Claude and I went to sell Millet's small pictures and to build up his name as well.

    We made Millet a master. I always said to my customer, "I am a fool to sell a picture of Francois Millet's at all, for he is not going to live three months, and when he dies his pictures can't be had for love or money."

    Claude and I took care to spread that little fact as far as we could.

Carl made friends with the correspondents, and got Millet's condition reported to England and all over the continent, and America, and everywhere.

    The sad end came at last, Millet died, not really.  He became Theophile Magnan.

    The pictures went up. There's a man in Paris today who owns seventy Millet pictures. He paid us two million francs for them. Do you still remember the "Angelus"? Carl sold it for twenty—two hundred francs. And as for the bushels of sketches and studies which Millet produced in the last six weeks, well, it would astonish you to know the figure we sell them at nowadays.

    We are no longer artists and Millet dead.

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