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题型:阅读选择 题类:模拟题 难易度:普通

江苏省苏州市昆山市2019届九年级英语第一次中考模拟试卷

阅读理解

    Any introduction to Peking Opera would not be complete without telling of Mei Lanfang. During his stage life, he combined(融合) the traditions of the past with his own creations, creating a style of his own and giving birth to "The Mei Lanfang School". He was also the first artist to introduce Peking Opera to foreigners, winning international fame(名声)in the globe. For half a century, Mei Lanfang was a household name in China.

    Mei Lanfang began his stage life at the age of 8. His teacher said he showed little hope because of his boring eyes. To improve this, he exercised them day after day. He would fly kites and look at them moving slowly in a blue sky. He also kept pigeons in order to look at them flying higher and higher until they disappeared into the clouds. Thanks to his efforts, he managed to change his dull eyes into a pair of bright and expressive eyes and win national fame before the age of 20.

    In over 50 years on the stage, Mei Lanfang played no less than 100 different characters in the traditional Peking Opera performance(表演). He completely changed both stage make-up and costumes, and made characters' performance. He also wrote many new plays, designing the dances himself. They are part of the great legacy(遗赠) that he left to Peking Opera.

    In 1930, Mei Lanfang started on a successful US tour. There his great performances fascinated the audience, making them realize that Peking Opera was a most valuable form of art.

(1)、What does the first sentence mean?
A、Peking Opera would not be well-known without Mei Lanfang. B、Mei Lanfang made Peking Opera a complete art form. C、Peking Opera won international fame in the fame. D、Mei Lanfang plays an important role in Peking Opera.
(2)、How long did it take Mei Lanfang to exercise his eyes into bright and expressive ones?
A、About 8 years. B、About 10 years. C、About 12 years. D、About 14 years.
(3)、What is the main idea of the passage?
A、The history of Peking Opera. B、Mei Lanfang's early stage life. C、Mei Lanfang's great contributions to Peking Opera. D、The creations of Peking Opera by Mei Lanfang.
举一反三

      He was an old manwho fished alone in a small boat on the sea and he had gone eighty-four days now without taking a fish. In the first forty days a boy had been with him. But after forty days without a fish, the boy's parents had told him that the old man was now salao, which is the worst form of unlucky, and the boy had gone with another boat which caught three good fish the first week. It made the boy sad to see the old man come in each day with his boat empty. The sail looked like the flag of failure forever.

      The old man was thin with deep wrinkles (皱纹) in the back of his neck. His face was terribly brown because of the strong sunlight on the sea every day and his hands had the deep scars (伤疤) from dealing with heavy fish on the lines. But none of these scars were fresh. Everything about him was old except his eyes and they were the same color as the sea and were cheerful.

      “Santiago,” the boy said to him as they climbed the bank from the sea. “I could go with you again. We've made some money.”

        The old man had taught the boy to fish and the boy loved him.

      “No,” the old man said. “You're with a lucky boat. Stay with them.”

      “But remember how you went eighty-seven days without fish and then we caught big ones every day for three weeks.”

      “I remember,” the old man said.

     “It was papa who made me leave. I am a boy and I must follow him.”

     “I know,” the old man said. “It is quite normal.”

       "He hasn't mush faith(信心)"                       

     “No,” the old man said. “But we have. Haven't we?”

     “Yes,” the boy said. “Can I offer you a beer on the Terrace?”

    “Why not?” the old man said “Between fishermen.”

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