From self-driving cars to carebots (care+robots) for elderly people, rapid development in technology has long represented a possible threat to many jobs normally performed by people. But experts now believe that almost 50 percent of occupations existing today will be completely unnecessary by 2025 as artificial intelligence continues to change businesses.

    “The next fifteen years will see a revolution in how we work, and a revolution will necessarily take place in how we plan and think about workplaces,” said Peter Andrew, Director of Workplace Strategy for CBRE Asia Pacific.

    A growing number of jobs in the future will require creative intelligence, social skills and the ability to use artificial intelligence.

    The report is based on interviews with 200 experts, business leaders and young people from Asia Pacific, Europe and North America. It shows that in the US technology already destroys more jobs than it creates.

    But the report states: “Losing occupations does not necessarily mean losing jobs — just changing what people do.” Growth in new jobs could occur as much, according to the research.

    “The growth of 20 to 40 person companies that have the speed and technological know-how will directly challenge big companies,” it states.

    A 2014 report by Pew Research found 52 percent of experts in artificial intelligence and robotics were optimistic about the future and believed there would still be enough jobs in the next few years. The optimists pictured “a future in which robots do not take the place of more jobs than they create,” according to Aaron Smith, the report's co-author.

    “Technology will continue to affect jobs, but more jobs seem likely to be created. Although there have always been unemployed people, when we reached a few billion people there were billions of jobs. There is no shortage of things that need to be done and that will not change,” Microsoft's Jonathan Grudin told researchers.

    The faces of the four U. S. presidents on Mount Rushmore will likely last for centuries. But at a newly opened exhibit in Japan, you can catch them only for about eight months. This year, the annual sand sculpture event at the Sand Museum in Tottori, Japan, is focused on another country. This is the 10^th anniversary of the event. Artists came from 19 countries to shape sand into different sculptures that represent events in U. S. history and American landmarks.

    Tottori is a remote city in western Japan. In the past, not many tourists traveled to it. To attract more visitors, Tottori officials decided to use a natural resource: sand. They decided to create a sand museum that would house a series of sand sculptures based on different geographic areas of the world. The sand from each year's exhibition is used again the next year. The project has been a success. About 500,000 people visit the museum during the eight months. Some return year after year to see the new sculptures.

    The city is now a popular spot for sand sculpture artists too. Sculptors from around the world come to Tottori each spring, spending a few weeks working on their masterpieces. They use special tools to smooth the sandy surfaces, cut angles and details. They use only sand and water to create the huge sculptures, some of which tower over their creators.

    Originally, the artists built their creations outside. But the works lasted less than two months outdoors. So the museum built a permanent structure 10 house the artworks, which extended their life to eight months. Now many more tourists get to see the sculptures. Still, the fact that this art is not permanent is part of the appeal. The temporary sculptures reflect the Japanese value of appreciating the fleeting（稍纵即逝）nature of the world.

    Tottori is not the only Japanese town that shows temporary art like this. Sapporo, in northern Japan, hosts a similar exhibit in the winter, using snow instead of sand. Thai will be just about the time that the U. S. sand sculpture exhibition is taken apart, and the sand is saved for next year's show.

    On a Friday night, a poor young artist stood at the gate of the New York railway station, playing his violin. The music was so great that many people stopped to put some money into the hat of the young man.

    The next day, the young artist came to the same place, and put his hat on the ground gracefully. Different from the day before, he took out a large piece of paper and laid it under his hat. Then he began to play the violin. It sounded more pleasant than ever.

       Soon he was surrounded with people who were attracted by the words on that paper. It said, “Last night, a gentleman named George Sang put an important thing into my hat by mistake. Please come to claim (认领) it soon.”

    After about half an hour, a middle-aged man rushed through the crowd to the violinist and said, “Yes, it's you. I knew that you were an honest man and would certainly come here.” The young violinist asked calmly, “Are you Mr George Sang?” The man nodded. The violinist asked, “Did you lose something?”“It's a lottery ticket,” said the man. The violinist took out a lottery ticket on which George Sang's name was seen. “Is it?” he asked. George nodded and took the lottery ticket and kissed it, then danced with the violinist.

    The violinist was a student at an arts college and had planned to attend advanced studies in Vienna. Later his classmate asked the violinist, “At that time you needed money to pay the tuition and you had to play the violin in the railway station every day to make money. Why didn't you keep the lottery ticket for yourself?”

    The violinist said, “Although I don't have much money, I live happily. But if I lose honesty I won't be happy forever.” Through our lives, we can gain a lot and lose so much. But being honest should always be with us.

    Every year from March to October, Christian Moullec, also known as "Birdman," takes to the skies aboard his adapted light aircraft. However, the 58-year-old Frenchman's daily 30-minute flight is not just to enjoy the impressive views, but to guide flocks (鸟群) of lesser white-fronted geese (小白额雁) through safe migration paths which the birds can teach future generations.

    His deed began in 1995 when he noticed their declining population in the wilds of Lapland, Sweden. To prevent their numbers from dropping further, Moullec tried to get the threatened species to follow him along migration routes that would protect them from bird hunters.

    However, getting grown geese to follow his lead proved challenging. As young geese imitate and follow whomever they view as their parent, Moullec decided to raise the geese from birth.

    To help raise funds and awareness of his job to protect not just the geese but birds worldwide, Moullec often allows paying tourists to join him on the 30-minute-long flights aboard his aircraft. In addition to the trained birds flying alongside them, visitors, who come from as far as a 15-hour plane flight away, are treated to a variety of crane and geese species as well as breathtaking views of castles and cities.

    He often brings his camera along for the flights, capturing photos not just for their beauty, but for what they describe. Moullec believes the use of agricultural chemicals has done harm to wild European birds, with more than a third disappearing in the last 30 years. "It's a disaster," he said. "My beautiful images with flying birds should be used to tell this story."

    Do you have a talented young artist, photographer, or designer in your life? It's never too early to start helping them get their work out there! We've rounded up the top art contests for kids and teens that can help these young creators share their first masterpieces with the world. Best of all? Most of them are totally free to enter!

    Global Canvas Art Competition

    Ages: 16 and under

    Mediums: Drawing, painting

    Global Canvas is all about the environment. Launched by the David Shepherd Wildlife Foundation, this art competition wants to inspire the next generation to be more mindful of how we take care of the earth. The judges are looking for artists to capture the wonderful places that wildlife call home.

    Toyota Dream Car Art Contest

    Ages: Four to 15

    Mediums: Drawing, painting

    Time to design a dream car! Toyota wants to get junior artists thinking about what the future of transportation might look like. Prizes include cash and a chance to tour one of the Toyota manufacturing plants.

    Advena World's art Competition

    Ages: 15 and under

    Mediums: Drawing, painting

    Advena World's art competition aims to promote creativity and self-expression. Instead of a theme, they ask the participating artists to simply express their feelings—anything from sadness or joy to anger or excitement—through their chosen medium,.

    Progressive Young Artist Awards

    Ages: 13 to 19

    Open to: All international applicants

    Mediums: Painting, drawing, photography, mixed media, sculpture

    Cost to enter: $5 USD

    PYAA is all about expressing and celebrating progressive values. So, if there is a creative teen in your life who wants to do good in the world, sign them up for this art contest for teens. The prize is a scholarship which they can put toward their post-secondary schooling.

    Drive through any suburb in the U.S. today, and it's hard to miss the bins that have become companions to America's trash cans. Recycling has become commonplace, as people recognize the need to care for the environment. Yet most people's recycling consciousness extends only as far as paper, bottles, and cans. People seldom find themselves facing the growing problem of e-waste.

    E-waste rapidly increases as the techno-fashionable frequently upgrade to the most advanced device and the majority of them end up in landfills (垃圾填埋地). Some people who track such waste say that users throw away nearly 2 million tons of TVs, VCRs, computers, cell phones, and other electronics every day. Unless we can find a safe replacement, this e-waste may get into the ground and poison the water with dangerous toxins (毒素), such as lead, mercury, and arsenic. Burning the waste also dangerously contaminates the air.

    However, e-waste often contains reusable silver, gold, and other electrical materials. Recycling these materials reduces environmental problems by reducing both landfill waste and the need to look for such metals, which can destroy ecosystems.

    A growing number of states have adopted laws to ban dumping (倾倒) e-waste. Still, less than a quarter of this waste will reach lawful recycling programs. Some companies advertising safe disposal (处置) in fact merely ship the waste to some developing countries, where it still ends up in landfills. These organizations prevent progress by unsafely disposing of waste in an out-of-sight, out-of-mind location.

    However, the small but growing number of cities and corporations that do handle e-waste responsibly represents progress toward making the world a cleaner, better place for us all.