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题型:阅读理解 题类:常考题 难易度:普通

北京市丰台区2019届高三上学期英语期末考试试卷

阅读理解

    Every month we look at a different artist. We think Haroshi is super cool—he makes sculptures(雕塑) from skateboards.

    Haroshi is in his late 30s. He's a skateboarder but he also makes things from wood. He began skateboarding when he was 15 years old and he loved it. He used to skate every day. Now, if you know anything about skateboarding, you'll know that skateboards don't last forever because they break. But Haroshi didn't throw his out because he was fond of them. Over time he built up a big collection and at the same time he learnt about all the different types of skateboard. Surprisingly, not all skateboards are of the same shape and actually they are often built in different ways. By the time he was 25, he had an enormous collection of old skateboards.

    He decided he had to do something with them so he started to cut them up. As he was doing that, he noticed some interesting patterns in the wood. He then cut more and stuck them on top of each other. The first thing he created from the wood was a piece of jewelry. He created something new from something old.

    Nowadays, however, he is known for his extremely large 3D wooden sculptures. His ideas generally come from skateboarding culture, ranging from skateboarding cats to cool trainers, but also everyday topics such as hurting yourself, getting better, being crazy about something and of course, growing up. All skateboarders will understand these. Haroshi has made over 40 pieces and each piece takes a very long time. There is no doubt that he is very talented but he's had no formal art training. He taught himself.

    Haroshi held an exhibition in London last month and three of us from @teenattack went along. As we entered the first room, we saw a huge bird that covered one wall. It was absolutely enormous! There was also a sculpture called Ordinary life. It looked like a broken leg—a very common problem, of course. It's incredible to think that these sculptures are all made from broken skateboards. But there's something else that is really interesting about Haroshi's work.

    In the twelfth century a sculptor called Unkei placed a glass ball in each of his works to show the heart of the piece. Haroshi also places something inside his sculptures—a piece of broken skateboard. In this way, he gives his sculptures life. We think that is just awesome!

(1)、What does Paragraph 2 want to tell us?
A、Skateboards are built differently. B、Skateboards need to be improved. C、Haroshi collects broken skateboards. D、Haroshi is an excellent skateboarder.
(2)、What does Haroshi do with old skateboards?
A、He sells them. B、He repairs them. C、He gives them away. D、He makes artworks out of them.
(3)、From the last 2 paragraphs, we can know_____________.
A、Ordinary life looks like a bird B、Haroshi's ideas come from textbooks C、Haroshi has never attended art school D、Haroshi puts glass balls inside his works
(4)、What can be learnt from the passage?
A、It's never too old to learn. B、Rome is not built in one day. C、Failure is the mother of success. D、Creativity makes a big difference.
举一反三
阅读理解

    For many years, scholars have regarded My Mortal Enemy as somewhat of an enigma. Written in only a few months during the early spring of 1925 and published in 1926, Willa Cather's shortest novel was sandwiched in between The Professor's House (1925) and Death Comes for the Archbishop (1927). While the subject matter of these latter two works can be traced to Cather's experience in the desert Southwest, My Mortal Enemy seemingly has nothing to do with these subjects or her Nebraska roots; it appears to have come out of nowhere, puzzling those who have tried to fit this rather irregular work into a logical progression of Cather's artistic development. The question of what caused Cather to write such a novel at this point in her career, for example, has still not been answered definitively. One commonly held hypothesis (假说) was first voiced by Marcus Klein, who in his 1961 introduction to the novel wrote that for Cather, “The story of Myra Henshawe must have been a personal crisis”. Klein, though, acknowledged that he could not prove his theory, “because there is available no record other than the novel”. Emmy Stark Zitter has recently argued that in My Mortal Enemy and Sapphira and the Slave Girl(1940) Cather exercises the autobiographical impulse (冲击) by putting details of her own life into her fiction, but, like Klein, she is unable to name which “details” of her life Cather drew on in writing My Mortal Enemy.

    As hinted (暗示) in the above statements by Klein and Zitter, much of the general uncertainty about the meaning of My Mortal Enemy can be traced to the absence of a persuasive theory as to who the real-life models for the novel's characters were and what Cather's relationship to them was. Cather herself wrote in a 1940 letter that, in James Woodress's paraphrase, “she had known Myra's real-life model very well, and the portrait drawn in the story was much as she remembered her”; Cather also added that the woman had died fifteen years before My Mortal Enemy was published, and that many relatives of this model later wrote to her to say that they recognized the “real” Myra from her description in the novel. Given such hints and Cather's liking for drawing on her experiences in Nebraska for characters, settings, and plots, it is quite understandable that scholars have thus looked to Red Cloud and Lincoln for possible sources of the people and events depicted in My Mortal Enemy.

    In light of the evidence presented in this article, though, I believe that Cather intended her comments about the model for Myra Henshawe to serve as red herrings (转移注意力的言语) that would protect her relationship with the couple who were the prototypes (原型) for the Henshawes, both of whom were still alive in 1925. Mark Madigan has recently confirmed how Cather in 1905 had to hold off publishing “The Profile (传略)” because of fears that the main character might recognize herself and commit suicide, and twenty years later Cather would have been well aware of how her description of the Henshawes might have affected both the real-life wife (who died in 1929) and husband (who died in 1949) if they had recognized themselves. It is my argument that the Henshawes were modeled after people Cather knew not in Nebraska but rather in New York: S. S. and Hattie McClure. Myra's uncle, John Driscoll, was modeled after Hattie's father, Professor Albert Hurd.

    Possibly most important, identifying the Henshawes as the McClures allows us to more conclusively identify Cather herself with Nellie Birdseye. Nellie and Cather, both Midwestern onlookers and recorders, experienced four distinct stages in their relationships with the Henshawes and the McClures (especially with S. S.) My Mortal Enemy, I believe, was an extended attempt by Cather to deal with certain aspects of her own past and to move on in a world stripped of romantic illusion.

阅读理解

    The secret to happiness is keeping busy, research has found. Keeping the mind occupied with tasks—no matter how meaningless—keeps off negative emotions, the study found.

    However, the bad news is that humans are seemingly born to be lazy in order to save energy, according to Professor Christoper Hsee, a behavioral scientist at Chicago University.

    In a study, 98 students were asked to complete two surveys. After they had completed the first, they were made to wait 15 minutes to receive the next one. They were given a choice of either handing in the first survey nearby or a more distant location they had to walk to. Whichever option they chose, they received a chocolate bar. It turned out that about two-thirds (68 students) chose the lazy option. Those who had taken the walk reported feeling happier than those who had stayed put.

    Professor Hsee concluded that keeping busy helped keep people happy. He said the findings, reported in the journal Psychological Science, had policy implications (暗示).

    “Governments may increase the happiness of idle (无所事事的) citizens by having them build bridges that are actually useless,” he proposed.

    At the personal level, he advised, "Get up and do something. Anything. Even if there really is no point to what you are doing, you will feel better for it." He added, "Incidentally, thinking deeply or engaging in self-reflection counts as keeping busy, too."

    “You do not need to be running around. You just need to be engaged, either physically or mentally.”

阅读理解

    Adopting (领养) a new pet should be an exciting and rewarding experience. But just as all families are different, so are all pets. Learn what to consider before you find your new furry family member.

    All pets require their owner's time, so Theisen, an expert in pet care, says how much time you can give to the pet is the top thing to consider. "If you adopt a 4-year-old cat, she's not going to need the same amount of care as a 9-week-old dog". says Theisen.

    Like dating and finding the perfect partner, you want a pet that shares your interests and activity levels, particularly if you're looking for dogs. "Consider activity levels in the family," says Theisen. "If you're a couch potato, or in other words, a homebody, look for a pet that matches that activity level."

    Some dogs, like Dalmatians and Terriers, can be loud and noisy and demand a more active lifestyle and room to be outside; they might not fit as well in close living situations as more sedentary pets. The Humane Society of the United States encourages potential owners to research books and websites and talk to other pet owners when considering adopting a new pet.

    Theisen says that potential owners should go beyond the first impression of loveliness and watch how the animals interact with them. "There are dogs that will jump to the gate to meet you," says Theisen. "And there are dogs that sit there with their sad doggy eyes — you know they're not going to be high-energy dogs".

    Some exotic pets, like tortoises and parrots, are likely to live longer than dogs and cats — and even their human owners. They can also grow to be much larger than they were when they first came to live with their owners. Owners should make sure that their living situations should be continually updated and also prepare for the animal's future.

阅读理解

    A thrilling polar competition between two adventurers to cross Antarctica alone, unsupported and unassisted had a happy ending with both explorers achieving the unprecedented feat (功绩). American professional athlete Colin O'Brady and British Army Captain Louis Rudd set off a mile apart at the same time on November 3, 2018, from the Atlantic coast with the aim to become the first person to ski across the remote continent alone.

    Louis Rudd maintained the lead at first. However, O'Brady caught up with Rudd on November10 and never let the British man get close to him again. O'Brady was the first to conquer the 930 mile icy land, arriving at the Ross Ice Shelf on the Pacific coast by way of the South Pole on December 26, 2018. The 33-year-old spent 54 days skiing the world's coldest continent while pulling a 300-pound sled(雪橇) with supplies.

    Instead of leaving the harsh environment after completing the historic adventure, the explorer set up a tent on the world's largest ice sheet and waited patiently for Rudd to complete the great undertaking. On December 29, just three days after O'Brady arrived, the British explorer finished his adventure, becoming the world's second person to complete the solo crossing of the frozen continent.

Rudd was not disappointed at being second since he never considered it to be a     "race". Besides, the 49-year-old British Army Captain had a more selfless motive for attempting the feat. He was doing it in memory of his friend Henry Worsley, who had introduced him to polar exploration. The disaster happened while Worsley was trying to cross the continent alone in 2016. Rudd said, "I didn't want to get drawn into a race. All that mattered to me was that I completed it, and that I skied solo and unsupported, carrying the flag with Henry's name on it."

    After spending a few days camping 10 feet away from each other, the two adventurers were picked up by a helicopter to the South Pole scientific research station.

 阅读理解

Although a few recreational snowmobilers (驾驶摩托雪橇者) destroy ecosystems as they ride through the wilderness, most snowmobilers love and respect America's natural heritage. That's why they brave the cold to explore what is left of wild America — including Yellowstone National Park. Unfortunately these snowmobilers are unconsciously damaging what they love. Because snowmobiles in the park not only create both air and noise pollution but also strains (使紧张) the already tight budget of the park service, recreational snowmobiles should be banned from Yellowstone National Park.

It may be hard to imagine that about 1,000 snowmobiles a day could lead to air pollution in a park half the size of Connecticut, but in fact they can. In addition to polluting the air, snowmobiles are noisy, disturbing the peace and silence that park visitors have a right to expect. One study reports that twelve snowmobiles traveling together could be heard as far as two miles away. Such noise affects the park's wildlife.

Funds that should be used to preserve Yellowstone National Park and its wildlife have been used to deal with the snowmobile issue. Also, park rangers are spending an increasing amount of their valuable time policing snowmobilers, which takes away from park rangers' primary responsibility—preserving this country's treasured natural resources.

Opponents of a ban argue that a central mission of the park service is to provide access to national parks. Admittedly, winter access is important, but ordinary people can enjoy the park by means other than snowmobiles. Also, the park service's mission is not just to provide access to the parks; no less important is its mission to preserve the parks' pristine natural resources for future generations.

Even with a ban on snowmobiling in the park itself, the Yellowstone area would still earn the title of Snowmobiling Capital of America. All of the streets of West Yellowstone, the area's major town, are open to snowmobilers, and many trails run out of the town. As to Yellowstone National Park, a ban on snowmobiles would allow the park service to devote more of its limited resources to one of its primary missions: the protection of natural resources. Visitors would still be able to appreciate Yellowstone's beauty— its geysers, its wildlife, and its snow-covered vistas —throughout the park's long winter.

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