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题型:阅读理解 题类:常考题 难易度:普通

黑龙江省哈尔滨市第六中学2018-2019学年高二上学期英语期末考试试卷

阅读理解

    One morning more than thirty years ago, I entered the Track Kitchen, a restaurant where everyone from the humblest(卑微的) to the most powerful came for breakfast. I noticed an empty chair next to an elderly, unshaven man, who looked somewhat disheveled. He was wearing a worn-out hat and was alone. I asked if I might join him. He agreed quietly and I sat down to have my breakfast.

    We cautiously began a conversation and spoke about a wide range of things. We never introduced ourselves. I was concerned that he might have no money and not be able to afford something to eat. So as I rose to go back to the counter and buy a second cup of coffee, I asked,

    “May I get you something?”

    “A coffee would be nice.”

    Then I bought him a cup of coffee. We talked more, and he accepted another cup of coffee, Finally, I rose to leave, wished him well, and headed for the exit. At the door I met one of my friends. He asked,

    “How did you get to know Mr. Galbreath?”

    “Who?”

    “The man you were sitting with. He is chairman of the Board of Churchill Downs.”

    I could hardly believe it. I was buying, offering a free breakfast, and feeling pity for one of the world's richest and most powerful men!

    My few minutes with Mr. Galbreath changed my life. Now I try to treat everyone with respect, no matter who I think they are, and no matter another human being with kindness and sincerity.

(1)、What does the underlined word “disheveled” mean?
A、Unfriendly. B、Untidy. C、Gentle. D、Kind.
(2)、The author bought coffee for the old man because____________.
A、he thought the old man was poor B、he wanted to start a conversation C、he intended to show his politeness D、he would like to thank the old man
(3)、What is the message mainly expressed in the story?
A、We should learn to be generous. B、It is honorable to help those in need. C、People in high positions are not like what we expect. D、We should avoid judging people by their appearances.
举一反三
阅读理解

    Teen Creative Writing Residency(培训) at Atlantic Center for the Arts

    Join other teens for an intensive ten-day writing residency with Master Writers at the world renowned Atlantic Center for the Arts.

    The Residency

    The Teen Creative Writing Residency is a summer writing residency that offers 9th―12th grade teens writing workshops and mentorship (辅导) by distinguished authors in poetry, fiction, and nonfiction. The Teen Creative Writing Residency will be held at Atlantic Center from July 13 through July 26, offering 21 teens from around the country an extraordinary opportunity to expand the power of their individual voices through writing workshops with Master Writers.

    Residency Schedule

    Teen writers will join three Master Writers-in-Residence, one in each of the following genres (类型) ― poetry, fiction, and nonfiction. The mentorship with the Master Writers-in-Residence will be the focus, but the chance to have conversations with the other Visiting Writers and participating Teen Writers will be valuable.

    Classes meet Monday―Friday for two hours of workshops. Teen writers will have the opportunity to focus on one genre, while also exploring the other forms of literature through workshops and conversation.

    Admission

    The selection process for the unique literary residency opportunity will be competitive. Atlantic Center receives the applications, and the judges evaluate writing samples. As class sizes are kept small to provide the highest quality instruction, not all qualified writers may be accepted.

    Applications should include the following:

    One: Cover Letter: Your name, address, age, phone number(s)

    Two: Writing Sample: 3 pages: Your writing sample should be in your preferred form of literature.

阅读理解

阅读下列短文,从每题所给的四个选项 (A 、B 、C  和 D )中,选出最佳选项。

    The ancient city of Xi'an in China holds many treasures. And last month, archaeologists working there made an important discovery—a buried palace built in the third century B.C. to honor China's first emperor.

    The entire palace measures roughly 2,260 feet long by 820 feet wide. It includes 10 courtyard houses and one main building. Archaeologists found bricks and pieces of pottery at the site of the palace, as well as the remains of walls and roads.

    The palace is part of the massive burial complex of Emperor Qin Shihuangdi. He conquered seven warring kingdoms and united ancient China in 211 B.C.

    Qin Shihuangdi wanted his legacy, or accomplishments, to be remembered forever. So he hired more than 700,000 workers to build his funeral complex in Xi'an. It represents a miniature version of his vast kingdom.

    The complex also includes the world-famous terra-cotta army, a collection of more than 8,000 life-size clay statues. These sculptures represent soldiers, acrobats, and horses from the Qin Dynasty (221 B.C.-206 B.C.). Scientists have not yet found all these terra-cotta warriors, even though they discovered more of the statues last summer.

    Farmers discovered the complex by accident in 1974. Since then, scientists studying the site have learned a great deal about life in ancient China. But much of the emperor's tomb has yet to be dug up, or unearthed. Many of the artifacts (objects from the past) are so old that scientists cannot preserve them.

    "Archaeologists fully acknowledge that nobody in the world has the technology (to safely dig up Xi'an's treasures) yet," explains Kristin Romey, an expert on Chinese archaeology.

    But as technology improves, archaeologists will keep digging to uncover the rest of the wonders that still lie buried in Xi'an.

    "It's one of the most important archaeological discoveries that's waiting to be made," says Romey, "and we know where it is."

阅读理解

    Think of a seed buried in a pot. It's dark down there in the potting soil. There's no light, no sunshine. So how does it know which way is up and which way is down? It does know. Seeds send shoots up toward the sky, and roots the other way. Darkness doesn't confuse them. Somehow, they get it right.

    More surprisingly, if you turn a seedling (秧苗) or a whole bunch of seedlings upside down, as Thomas Andrew Knight of the Royal Society did around 200 years ago, the tips and roots of the plant will sense, “Hey, I'm upside down. Look! I. will turn my way to the right direction and do a U-turn.”

    How do they know? According to botanist Daniel Chamovitz, Thomas Knight about 200 years ago guessed that plants must sense gravity. Knight proved it with a crazy experiment involving a spinning plate.

    He attached a bunch of plant seedlings onto a disc. The plate was then turned by a water wheel powered by a local stream at a speed of 150 revolutions (旋转) per minute for several days.

    If you have been at an amusement park in a spinning teacup, you know that because of centrifugal force (离心力) you get pushed away from the center of the spinning object toward the outside.

    Knight wondered, would the plants respond to the centrifugal pull of gravity and point their roots to the outside of the spinning plate? When he looked, that's what they'd done. Every plant on the disc had responded to the pull of gravity, and pointed its roots to the outside. The roots pointed out, and the shoots pointed in. So Thomas Knight proved that plants can and do sense the pull.

阅读理解

    Have you ever found yourself in this situation: You hear a song you used to sing when you were a child — a bit of nostalgia (怀旧) or “blast from the past,” as we say. But it is not a distant childhood memory. The words come back to you as clearly as when you sang them all those years ago.

    Researchers at the University of Edinburgh studied the relationship between music and remembering a foreign language. They found that remembering words in a song was the best way to remember even one of the most difficult languages.

    Here is what they did. Researchers took 60 adults and randomly divided them into three groups of 20. Then they gave the groups three different types of “listen-and-repeat” learning conditions. Researchers had one group simply speak the words. They had the second group speak the words to a rhythm, or beat. And they asked the third group to sing the words.

    All three groups studied words from the Hungarian language for 15 minutes. Then they took part in a series of language tests to see what they remembered.

    Why Hungarian, you ask? Researchers said they chose Hungarian because not many people know the language. It does not share any roots with Germanic or Romance languages, such as Italian or Spanish. After the tests were over, the singers came out on top. The people who learned these new Hungarian words by singing them showed a higher overall performance. They did the best in four out of five of the tests. They also performed two times better than those who simply learned the words by speaking them.

    Dr. Katie Overy says singing could lead to new ways to learn a foreign language. The brain likes to remember things when they are contained in a catchy or memorable tune.

    Dr. Ludke said the findings could help those who struggle to learn foreign languages. On the University of Edinburgh's website Dr. Ludke writes, “This study provides the first experimental evidence that a listen-and-repeat singing method can support foreign language learning, and opens the door for future research in this area.”

阅读理解

By now you've probably heard about the "you're not special" speech, when English teacher David McCullough told graduating seniors at Wellesley High School: "Do not get the idea you're anything special, because you're not." Mothers and fathers present at the ceremony — and a whole lot of other parents across the Internet — took issue with McCullough's ego-puncturing words. But lost in the uproar was something we really should be taking to heart: our young people actually have no idea whether they're particularly talented or accomplished or not. In our eagerness to elevate their self-esteem, we forgot to teach them how to realistically assess their own abilities, a crucial requirement for getting better at anything from math to music to sports. In fact, it's not just privileged high-school students: we all tend to view ourselves as above average.

Such inflated self-judgments have been found in study after study, and it's often exactly when we're least competent at a given task that we rate our performance most generously. In a 2006 study published in the journal Medical Education, for example, medical students who scored the lowest on an essay test were the most charitable in their self-evaluations, while high-scoring students judged themselves much more strictly. Poor students, the authors note, "lack insight" into their own inadequacy. Why should this be? Another study, led by Cornell University psychologist David Dunning, offers an enlightening explanation. People who are incompetent, he writes with coauthor Justin Kruger, suffer from a "dual burden": they're not good at what they do, and their very incapability prevents them from recognizing how bad they are.

In Dunning and Kruger's study, subjects scoring at the bottom of the heap on tests of logic, grammar and humor "extremely overestimated" their talents. What these individuals lacked (in addition to clear logic, proper grammar and a sense of humor) was "metacognitive skill": the capacity to monitor how well they're performing. In the absence of that capacity, the subjects arrived at an overly hopeful view of their own abilities. There's a paradox here, the authors note: "The skills that lead to competence in a particular domain are often the very same skills necessary to evaluate competence in that domain." In other words, to get better at judging how well we're doing at an activity, we have to get better at the activity itself.

There are a couple of ways out of this double bind. First, we can learn to make honest comparisons with others. Train yourself to recognize excellence, even when you yourself don't possess it, and compare what you can do against what truly excellent individuals are able to accomplish. Second, seek out feedback that is frequent, accurate and specific. Find a critic who will tell you not only how poorly you're doing, but just what it is that you're doing wrong. As Dunning and Kruger note, success indicates to us that everything went right, but failure is more ambiguous: any number of things could have gone wrong. Use this external feedback to figure out exactly where and when you screwed up.

If we adopt these strategies — and most importantly, teach them to our children — they won't need parents, or a commencement (毕业典礼) speaker, to tell them that they're special. They'll already know that they are, or have a plan to get that way.

阅读理解

Ken was my best friend for 30 years. I told him I would leave Chicago for Philadelphia to receive a new job there. "What do you mean you're leaving?" Ken asked angrily. "When did you interview for a job in another city? You had never told me before." I explained that was the new company's rule. "Like you couldn't tell me?" he asked. "I thought our friendship meant more to you than that." "I'm sorry," I said. But I would never give up the job because of friends.

Ken and I had met in a church. Then Ken was a college student studying mental health and I was working in a company. I found we both grew up in small towns and struggled for school life. He often volunteered in Thailand during school holidays. And I once worked there for five years. Talking with Keri gave me great pleasure. Gradually, our conversations even involved in deeper subjects, like our dreams.

I was older than Ken. When he married Lee, I gave him advice about marriage. By that time, I was running a television production business, and was under a lot of stress. It was Ken who encouraged me and helped me get through the hard time. He was a great guy. Even so, I didn't change my mind.

Anyway, when leaving Chicago, Ken and Lee had a warm farewell (告别) party. But we didn't talk much later. After September 2012, everything changed. It started with a letter from Ken: Lee had cancer. Unfortunately, I got divorced (离婚) later and everything was a mess.

In February 2013,I flew to Chicago to see Ken and Lee. We talked. I found there was no one I had ever been able to talk to quite like Ken. I needed to be there for Ken in any way I could. This friendship mattered more than work. When going back to Philadelphia, I left my job and bought a plane ticket that would mean a lot to the rest of my life.

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