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题型:阅读选择 题类:常考题 难易度:普通

新目标英语2017-2018学年八年级上册Unit 1同步评估(音频暂未更新)

阅读理解

    I'm Ben. Today was not a good day. First, I slept late and Morn shouted at me to wake me up.  When I went to the kitchen for breakfast, I found there was no hamburger. So I decided to have some bread, but I burned (烤糊) it. I had to eat it because there was no more bread. There was no juice, either. I just had a cup of water.

    When I was at the bus stop, I found that I forgot my wallet (钱包), so I had to go back home to get it. Of course, I missed my bus and had to wait for a long time.

    I was late for school. When I got to school, the first Class was over. I missed a math test. The teacher said there would be a test just for me after school two days later. Oh, it's Friday! I can't visit my grandma then

    After lunch, it was time to give the teacher my homework. I reached into my bag to get it but it wasn't there. I left it at home……

    After school, my father drove me home. When I got home, I went straight to my room to do my homework. Mom cooked fish for dinner. She knows I don't like fish, but she thinks it is good for me. What a bad day! I hope tomorrow Will be nice.

(1)、What did Ben have for breakfast?
A、A hamburger and a cup of water. B、A hamburger and a cup of juice. C、Some bread and a cup of water. D、Some bread and a cup of juice.
(2)、Ben went back home in the morning to get his ______.
A、school uniform B、lunch bag C、homework D、wallet
(3)、What did Ben plan to do after school this Friday?
A、To visit his grandma. B、To do his homework. C、To cook for his mom. D、To study for a math test.
(4)、How did Ben go home after school?
A、By bus. B、By car. C、By bike. D、By subway.
(5)、What's the best title of the passage?
A、My favorite food B、My school life C、A terrible day D、A math test
举一反三
阅读理解

    I live in Mentone, a quiet, simple, restful place, where the rich never come. I met Theophile Magnan, a retired, rich, old man from Lyons yesterday. In the Hotel des Anglais. Theophile looked sad and dreamy, and didn't talk with anybody else. Which brought me back to the past.

A long time ago, Francois Millet. Claude, Carl and I were young artists — very young artists — in fact.

    Yes, Francois Millet. The great French artist, was my friend.

Millet wasn't any greater than we were at that time. He didn't have any fame, even in his own village.

    We were all poor though we had stacks and stacks of as good pictures as anybody in Europe painted. Once a person ever offered four francs for Millet's "Angelus", which he intended to sell for eight.

    It was a fact in human history that a great artist would never be acknowledged* until after he was starved and dead. His pictures climbed to high prices after his death.

    Then we made a decision that one of us must die, to save the others and himself.

    Millet was elected to die.

    During the next three months Millet painted with all his might, enlarged his stock all he could, not pictures, not sketches, studies, parts of studies, fragments of studies, of course, with his cipher *  on them.

    They were the things to be sold.

    Carl went to Paris to start the work of building up Millet's name. Claude and I went to sell Millet's small pictures and to build up his name as well.

    We made Millet a master. I always said to my customer, "I am a fool to sell a picture of Francois Millet's at all, for he is not going to live three months, and when he dies his pictures can't be had for love or money."

    Claude and I took care to spread that little fact as far as we could.

Carl made friends with the correspondents, and got Millet's condition reported to England and all over the continent, and America, and everywhere.

    The sad end came at last, Millet died, not really.  He became Theophile Magnan.

    The pictures went up. There's a man in Paris today who owns seventy Millet pictures. He paid us two million francs for them. Do you still remember the "Angelus"? Carl sold it for twenty—two hundred francs. And as for the bushels of sketches and studies which Millet produced in the last six weeks, well, it would astonish you to know the figure we sell them at nowadays.

    We are no longer artists and Millet dead.

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