题型:阅读理解 题类: 难易度:普通
广东省广州市天河区2025届高三上学期综合测试英语试卷(一)
If you take a minute to think about the things that catch your attention, they're usually outsized (the Pyramids of Giza), extraordinarily delicate (a well-composed song), boldly colored (peacock feathers), or shocking (a bolt of lightning or a twist ending). These attention-grabbing things make us curious: Why is it like this? Where did the idea come from, or what made this happen?
From these questions come boundless story possibilities. From those ideas, though, we have to eventually cut them down to the ones worth telling, the ones that will grab and keep our readers' attention. This issue looks at that challenge from a variety of angles. Jane K. Cleland tackles the idea of thematic writing — writing that encourages readers to think about big issues that may or may not affect their lives, but at the very least will make them think What if… Then Jessica Strawser shares nine ways to write more authentic (真实的) child characters in adult fiction to bring a fresh perspective and engage readers. Tiffany Yates Martin takes on the debate of the controversial prologue (序言) — should you or shouldn't you use one? You'll have to read on to find out. When it comes to short fiction, Ran Walker offers tips for making the most of titles and first lines when every word counts. Finally, Amy Cook looks at the topic from a different angle — when your published book has stopped selling but you know it has more life in it, how can you use rights reversion to help it reach a new audience?
Our WD Interview for this issue features one author, Michael Cunningham. I was lucky enough to talk with him about his newest novel, Day, which features everything I love about a Cunningham novel: family drama, global issues made local, and impossibly affecting, heartbreaking prose. His writing advice was some of the most unexpected I've heard.
Maybe you're thinking about what you want to focus your attention on this year. Whatever your goal may be, we are glad to be with you along the way.
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