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题型:阅读选择 题类:常考题 难易度:容易

浙江省嘉兴市桐乡市六校2018-2019学年八年级下学期英语期中联考试卷

阅读理解

    What do you think will happen when the traditional culture meet modern technology? Yes, the words become lively characters at once. How happy it is to enjoy these Chinese cartoons!

    Ma Liang is a poor boy who loves painting. He always uses his magic brush to fight against the bad people in the village. The cartoon The Magic Brush came out in 1955.

    A group of tadpoles(蝌蚪)are born. They try to find their mother that they have never seen. The story is very easy, but it needs complex technology to show the artistic style of ink(水墨)painting. Little Tadpole Looking for Mom was watched in 1961 first.

    The Monkey King:Uproar in Heaven(1961-1964)is China's first color cartoon. It is from the Chinese novel Journey to the West. It's successful. Not only we but also many westerners like the monkey Sun Wukong.

    To beat two bad persons, an old man grows 7 calabashes(葫芦), and they change into 7 boys. They try their best to beat the bad. Calabash Brothers(1986)is a masterpiece(杰作)of Chinese paper-cutting art.

(1)、_______shows the artistic style of ink painting.
A、The Magic Brush B、Little Tadpole looking for Mom C、Calabash Brothers D、The Monkey King:Uproar in Heaven
(2)、The underlined word "complex" in the passage means" _________"in Chinese .
A、重复的 B、复杂的 C、杂乱的 D、冗长的
(3)、Which is true according to the passage?
A、The Monkey King is from a Chinese novel. B、Ma Liang punished the villagers with his brush. C、Calabash Brothers is from Chinese painting art. D、Little Tadpole Looking for Mom came out in 1964.
举一反三
阅读理解

    It was a cold night in Washington, D.C., and I was heading back to the hotel when a man came to me. He asked if I would give him some money so he could get something to eat. I'd read the signs: “Don't give money to panhandlers (乞丐).” So I shook my head and kept walking.

    I wasn't prepared for a reply, but he said, “I really am homeless and I really am hungry! You can come with me and watch me eat!” But I kept on walking.

    I couldn't forget what happened to me that day for the rest of the week. I had money in my pocket and it wouldn't have killed me to hand over a dollar or two even if he had been lying. On a very cold night, no less, I thought the worst of a fellow human being. Flying back to Anchorage, I still couldn't help thinking of him.

    I was the writer of a weekly garden column (专栏)at The Anchorage Daily News. One day, out of the blue, I came up with an idea. Bean's Cafe, the soup kitchen in Anchorage, feeds hundreds of hungry people every day. Why not try to get all my readers to plant one row in their gardens for Bean's? Plant a row and take it down to Bean's. Clean and simple.

    We didn't keep records back then, but the idea began to take off. People would call me when they took something in. Those who only grew flowers gave them away. Food for the spirit.

    In 1995 , the Garden Writers Association of America ( GWAA) held their meeting in Anchorage and alter learning of Anchorage's program, Plant a Row for Bean's became Plant a Row for the Hungry. The idea was to have every member of the Garden Writers Association of America write or talk about planting a row for the hungry.

    As more and more people started working with the program, many companies gave free seed to customers and had the logo (商标)seen in public.

    Garden editor Joan Jackson raised more than 30,000 pounds of  fruits and vegetables her first year, and showed the public how the program could really work. Texas fruit farms gave away food to their local food bank alter hearing about Plant a Row. Today the program continues to grow.

    I am shocked that millions of Americans are threatened by hunger. If every gardener in

    America - and we're seventy million strong - plants one row for the hungry, we can make a difference in the number of neighbors who don't have enough to eat. Maybe then I will stop feeling guilty (愧 疚) about walking past a hungry man I could have helped.

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