Join in the holiday fun at the powerhouse this month linked to our new exhibition, Evolution & Revolution : Chinese dress 1700s to now. DON'T FORGET our other special event, the Club Med Circus School which is part of the Circus! 150 years of circus in Australia exhibition experience !

    ◆ Chinese Folk Dancing: Colorful Chinese dance and musical performances by The Chinese Folk Dancing School of Sydney. Dances include: the Golden stick dance and the Chinese drum dance. A feature will be the Qin dynasty Emperor's court dance. Also included is a show of face painting for Beijing opera performances.

    Sunday 29 June and Wednesday 2 July in the Turbine Hall, at 11:30 am & 1:30 pm.

    ◆ Australian Chinese Children's Arts Theatre: Well-known children's play experts from Shanghai lead this dynamic youth group. Performances include Chinese fairy tales and plays.

    Thursday 3 to Sunday 6 July in the Turbine Hall, at 11:30 am & 1:30 pm.

    ◆ Chinese Youth League: A traditional performing arts group featuring performance highlights such as the Red scarf and Spring flower dances, and a musician playing Er Hu.

    Sunday 6 to Tuesday 8 July in the Turbine Hall, 11:30 am to 1:30 pm.

    ◆ Kids Activity: Make a Paper Horse: Young children make a paper horse cut-out. (The horse is a frequent theme in Chinese painting, indicating a kind of advancement. ) Suitable for ages 8-12 years.

    Sunday 28 June to Tuesday 8 July in the Turbine Hall, 12:00 pm to 1:00 pm.

    ◆ Club Med Circus School: Learn circus skills, including the trapeze, trampolining and magic. Note only for children over 5: There are 40 places available in each 1 hour session and these must be booked at the front desk, level 4, on the day.

    Tuesday 1 to Saturday 5 July at 11:30 am & 1:00 pm.

    Enjoy unlimited free visits and many other benefits by becoming a family member of the Powerhouse. Our family memberships cover two adults and all children under the age of 16 years at the one address. Members receive powerline, our monthly magazine, discounts in the shops and the restaurants, as well as free admission to the Museum. All this for as little as $50.00 a year! Call (02)9217 0600 for more details.

    Most young architects—particularly those in big cities—can only dream about working in a building of their own. And making that dream come true often means finding a building no one else seems to want, which is exactly what happened to David Yocum and his partner, Brian Bell. Their building is a former automobile electrical-parts firm in Atlanta. From the outside, it looks too old, even something horrible, but open the door and you are in a wide, open courtyard, lined on three sides with rusting walls.

    In 2000,Yocum and Bell found this building in the city's West End. Built in 1947, the structure had been abandoned years earlier and the roof of the main building had fallen down. But the price was right, so Yocum bought it. He spent eight months of his off-hours on demolition, pulling rubbish out through the roof, because it was too dangerous to go inside the building. The demolition was hard work, but it gave him time to think about what he wanted to do, and “to treasure what was there—the walls, the rust, the light,” Yocum said. “Every season, more paint falls off the walls and more rust develops. It's like an art installation(装置) in there—a slow-motion show.”

    Since the back building had been constructed without windows, an all-glass front was added to the building to give it a view of the courtyard, and skylights were installed in the roof. The back of the building is a working area and a living room for Yocum and his wife. A sort of buffer(缓冲) zone between the front and the back contains a bathroom, a kitchen and a mechanical room, and the walls that separate these zones have openings that allow views through to the front of the studio and the courtyard beyond.

    Yocum and Bell, who have just completed an art gallery for the city, feel that the experience from the decoration of their building, focusing on the inside rather than the outside, has influenced their work. It has also given these architects a chance to show how they can make more out of less.

    I had been in the city for some time and was coming home. I missed my boat and decided to travel on an old ship. I knew that it would not be a comfortable journey but I had no time to wait for another boat.

    Hardly had we left the port when I saw the dog Gulliver, the captain's favourite dog, for the first time. What a big dog it was! I had never seen one that could frighten me so much!

    On the third day the ship caught fire. Nobody tried to put it out. The ship began sinking and all the men rushed to the life-boats. I saw no chance of getting away in a boat. Suddenly I remembered there was a life-raft on the ship. I had no time to lose, so I immediately rushed towards the raft and pushed it overboard.

    In jumping down onto the raft I hurt myself badly and was unconscious for some time. When I came to, I found there was no sign of a life-boat. Every man who had been on board the ship must have gone down with her. I was the only one who was saved.

    The I saw Gulliver was coming fast towards the raft. He struggled a long time before he managed to get onto it. I wanted to push him back into the water but did not dare to move. The dog shook himself, went to the other end of the raft and lay down. I didn't dare to sleep that night. I must watch him. In the moonlight I could see his eyes were open. He was watching, too.

    In our daily life, it is necessary to make small talk in some situations. It helps to fill time between people when it is very quiet. You may not feel like talking with someone else or you are very shy at the beginning, but it is sometimes thought to be not polite to say nothing.

    People use small talk almost every day. It usually takes place when you meet someone you don't know at all or someone you're not familiar with. For example, waiters and hairdressers often make small talk with their customers（顾客）. If you happen to be outside when the postman comes to your door, you might make small talk with him, too.

    Most often, small talk happens in places where people are waiting for something. For example, you might talk with another person who is waiting for the bus to arrive. People also make small talk in a doctor's waiting room, or when they are waiting in a line to buy something. At the office, people make small talk in lunch rooms, especially if there is a line-up. Mingling is often required（要求）among people who don't know each other very well at a party. That is to say, they are expected to walk around and talk with others.

    The most common time for small talk to happen is the first time you see or meet someone on a given day. For example, if you see a neighbor in the waiting room of the airport you might say hello and discuss the sports or weather. However, the next time you see each other you might just smile and say nothing. If there is very little noise, it might be the right time to start a pleasant conversation. If someone is reading a book at the bus stop, it is probably not a good idea to start a conversation. Another good time to make small talk is during a break in a meeting when there is nothing important going on. However, it is important to recognize the signal when the other person wants the conversation to stop.

    A couple of weeks ago,my 12-year-old daughter Ella,threatened to take my phone and break it."At night you'll always have your phone out and you'll just type,"Ella says,"I'm ready to go to bed,and try to get you to read stories for me and you're just standing there reading your texts and texting other people,"she adds.I came to realize that I was ignoring her as a father.

    Ella isn't the only kid who feels this way about her parent's relationship with devices.Catherine Steiner-Adair,a psychologist at Harvard,wrote The Big Disconnect: Protecting Childhood and Family Relationships in the Digital Age.For her book,Steiner-Adair interviewed more than 1,000 kids from the ages of 4 to 18.She talked to hundreds of teachers and parents.

    "One of the many things that knocked my socks off,"she says,"was the consistency（一致性）with which children—whether they were 4 or 8 or 18—talked about feeling exhausted and frustrated or mad trying to get their parents' attention,competing with computer screens or iPhone screens or any kind of technology."

    A couple of years ago,my daughter got a laptop for school.And because she was becoming more independent, we got her a phone.We set up rules for when she could use the device and when she'd need to put it away.We created a charging station,outside her bedroom,where she had to plug in these devices every night.Basically,except for homework,she has to put it all away when she comes home.

    Steiner-Adair says most adults don't set up similar limits in their own lives."We've lost the boundaries that protect work and family life,"she says."So it is very hard to manage yourself and be present in the moments your children need you."

    After my daughter's little intervention（介入）,I made myself a promise to create my own charging station.To plug my phone in—somewhere far away—when I am done working for the day.I've been trying to leave it there untouched for most of the weekend.

    We've heard of robots and AI (Artificial Intelligence) taking human jobs, but I bet mayors（市长）don't really think their jobs can be threatened any time soon. They were wrong, and the AI running for the mayor of a Tokyo district was clear proof of that.

    AI can't legally run for high-ranking public management positions yet, but one mayoral candidate from Tama City, Tokyo, intended to maximize the use of artificial intelligence in running city affairs. He was running his campaign (竞选运动) as "AI Mayor". Basically, he was suggesting replacing human public officials with AI and having them collect city data and create fair and balanced policies that will benefit everyone.

    "For the first time in the world, AI will run in an election," human candidate Michihito Matsuda announced on Twitter. "Artificial Intelligence will change Toma City. With the birth of an AI Mayor, we will conduct balanced politics."

    The AI Mayor was campaigning very much like its human competitors. Posters were shown all over Tama City and campaign trucks were blaring out(大声鸣响)promises of an AI utopia (乌托邦)and asking for support.

    Some people called Michihito Matsuda's campaign a stunt (噱头), as a human would still be the one legally in charge. However, others said that they were excited about the future of AI running things in the background, adding that it had to be a better choice.