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    An autonomous vehicle designed for making local commerce deliveries was uncovered by Nuro. The vehicle is about the height of an SW but far narrower than a typical car. The electric car features four outside compartments（暗格）—two on each side -to hold separate deliveries. Each compartment can be tailored to a specific use, such as cooking a pizza or refrigerating a package.

    “We can use self-driving technology to deliver anything, anytime, anywhere for basically all local goods and services,” Nuro co-founder Dave Ferguson said. “Consumers used to be okay with two-week paid shipping. It became two-week free delivery, followed by one week, two days, and the same day. Now same-day delivery isn't fast enough for some customers.”

    Nuro isn't alone in building robots for local commerce deliveries. Earlier this month, Toyota, a Japanese car company, uncovered a concept vehicle that could be used for package delivery. A handful of startups—including Starship Technologies, Marble and Dispatch—are testing small robots for deliveries on sidewalks.

    Nuro's vehicle will likely face legal hurdles. Fully autonomous vehicles without a test diver aren't legal in California today, and many companies have shifted testing o states where regulators are more welcoming of autonomous vehicles, such as Arizona.

    Nuro expects to face fewer challenges because it doesn't carry passengers. Nuro's narrow size may also be helpful when navigating streets and avoiding pedestrians. The vehicle isn't equipped with any special features to communicate with pedestrians or other road users. Some companies have tested and patented solutions such as digital screens that signal the car's next move. Ferguson said his team conducted studies and found that such techniques could confuse people. Nuro believes it's better to make sure the car performs predictably, so that human drivers know what to expect from it.

    “We feel by creating this new technology that's going to enable this last mile delivery, we're going to be creating new markets and doing things that previously weren't possible,” Ferguson said. “This is not swapping out jobs with robots. It's creating new markets. There will definitely be new employment opportunities.”

    As the old saying goes, "Don't judge a book by its cover." And neither should we judge movie stars by their ages. At just 21, Elle Fanning made history by becoming the youngest jury (评审团) member at the Cannes Film Festival. This year it lasted from May 14th to May 25th. "I was in complete shock when I got that phone call and that question if I wanted to be a member of the Cannes Jury," Fanning said during a press conference.

    As it turned out, it not only shocked the US actress, but also brought criticism from those who believed Fanning was too young compared to other veterans in the industry. But Fanning's acting experience was in fact a good argument for her jury membership. In fact, Fanning has been a Hollywood fixture for longer than you realize.

    The 21­year­old has been in many big productions. She began acting in I Am Sam at age 2. With lead roles in movies like Super 8, We Bought a Zoo and Maleficent under her belt (取得成功), she's appeared in 60 projects and is one of Hollywood's hottest young stars. Fanning's devotion to work numbers her among the few former child stars who continue to act as adults.

    In her latest movie Teen Spirit, which hit US cinemas last month, Fanning plays a pop singer. Since she had no singing experience, Fanning had to work with Grammy­winning music producer Marius de Vries for three months before the filming started. "I would go to his apartment and sing through all the songs every day," she said. "He videoed me and recorded me singing everything and made me watch it back again and again to improve my skills."

    With such rich acting experience and devotion to her art, "Fanning certainly was able to represent a new class in film" at the Cannes Film Festival.

    Sila Sutharat, a roasted chicken street vendor from Phetchaburi, Thailand, has come up with a unique way of cooking chicken. He uses 1, 000 mobile mirrors that concentrate sunlight into a strong beam(光束).

    Like most other street vendors, Sila used to cook his chicken over a charcoal(木炭)fire. But that all changed in 1997, when an ordinary observation gave him a great idea. One day, he was hit by the sunlight reflected off the window of a passing bus, and he felt its heat. "I could possibly change it into energy," Sila told himself. Then he started working on how to make use of the sunlight to cook his chicken.

    "They said that I'd gone mad, and that cooking chicken like this was impossible," Sila told reporters about how people reacted to his idea. But he didn't let their jokes get to him, and in the end he was the one who had the last laugh. He invented a panel featuring 1, 000 small mirrors that could be moved. It worked exactly as he predicted, allowing him to cook a 1.5 kg chicken in just 10 to 15 minutes. "After a long time passed by, they'd say: "Actually, you could do it," " Sila Sutharat recalls. Sila says that his invention can make the temperature go up to 312'C. This is why he always wears a special mask instead of a cook's hat when operating it.

    Sila's solar roaster is an unusual sight. It has attracted quite a few curious people who are eager to taste Sila's sun-cooked chicken. He's been using this cooking method for two decades now. And he says it's much better than traditional roasting methods. It is free, cooks all parts of the chicken, and best of all, it's 100% clean. Phetchaburi Rajabhat University thought Sila's idea was very good and useful, so they awarded him an honorary science degree.

    Parents do not owe (欠) their children a college education. If they can afford it, they can certainly send them to a good university. But they needn't feel guilty if they can't. When children grow up and want to get married, their parents do not owe them an apartment. They do not have the duty to look after their grandchildren, either. If they want to do it, it must be considered a favor, not an obligation.

    Do parents owe their children anything? Yes, they owe them a great deal.

One of their obligations is to give their children a personal worth. Children who are always made to feel stupid and unworthy, constantly compared with brighter brothers, sisters, or cousins will become so unsure, so afraid of failing that they won't try at all. Of course they should be properly corrected when they do wrong, but it's often better to let children learn their mistakes by themselves in time. All their parents should do is to trust them, respect them, understand them and give them chances to try and fail. They must learn to stand failure. When criticisms (批评) are really needed, they should be balanced with a smile and a kiss. That is the way children learn.

    Parents owe their children a set of solid values around which to build their lives. This means teaching them to respect the rights and opinions of others; it means being respectful to elders, to teachers, and to the law. The best way to teach such values is by deed. A child who is lied to will lie. A child who sees no laughter and no love in the home will have difficulty laughing and loving.

No child asks to be born. If you bring a life into the world, you owe the child something.

Lebanese filmmaker Nadine Labaki has become the first female artist in the Arab world to be nominated (提名)for an Academy Award, or Oscar.

Labaki directed the film Capernaum, a film about a Syrian refugee (难民) boy and a Kenyan baby who live without parents on the streets of Beirut. It was nominated for best foreign language film.

Labaki wil1 be one of the few female directors to compete for an Oscar this year. She told the Associated press "I wish there were a lot more women filmmakers this year represented, nominated in the Oscars. But I am sure in a few years we won't be having this problem anymore."

Unlike in the West, women filmmakers are industry leaders in Lebanon.

Capernaum received a 15-minute standing ovation (热烈欢迎) at this year's Cannes Film Festival. It won the Jury Prize—the third-highest award given at Cannes.

The United Nations has publicly praised the film. Lebanon's Foreign Minister said.

Capernaum put a Lebanese touch on the international film industry.

The Oscar nomination of Capernaum is the second for Lebanon in two years in the film group. It demonstrates the country's rising star power.

Labaki called making the movie a life-changing experience. She said Capernaum helps humanize the real struggles of refugees only briefly talked about in the news.

We can't help but acknowledge that there is a fear of refugees in general around the world and there are these walls we are building, and this fear that keeps growing," Labaki said.

Capernaum will compete against four other films for the Oscar, including awards season favorite Roma. Directed by Mexico's Alfonso Cuaron, it earned 10 Oscar nominations, including for best picture.